Guercino (1591-1666) Semiramide riceve la notizia della rivolta di Babilonia (Semiramis Receiving Word of the Revolt of Babylon) 1624 Oil on canvas, 112.4 x 154.6 cm Museum of Fine Arts, Boston Interrupted at her toilette by news of a revolt,…
Guercino (1591-1666) Martirio di santa Caterina (Martyrdom of St Catherine) 1653 Oil on canvas, 222.5 x 159 cm Hermitage Museum, Saint Petersburg
Guercino (1591-1666) Deposizione nel sepolcro (The Entombment) 1656 Oil on canvas, 146.7 x 221.2 cm Art Institute of Chicago, Chicago Guercino’s career is unusually well documented, in part due to the survival of his account books, which reveal that he…
Guercino (1591-1666) Cristo e l’adultera (The Woman taken in Adultery) c.1621 Oil on canvas, 98.2 x 122.7 cm Dulwich Picture Gallery, London In the Gospel of John – in the New Testament of the Bible, according to the Christian tradition…
Guercino (1591-1666) Santa Cecilia (Saint Cecilia) 1649 Oil on canvas, 121.6 x 100.4 cm Dulwich Picture Gallery, London Saint Cecilia was a third-century Roman martyr according to the Christian tradition. Cecilia undertook a religious vow to remain a virgin, promising…
Guercino (1591-1666) Abramo ripudia Agar e Ismaele (Abraham casting out Hagar and Ishmael) 1657 Oil on canvas, 115 x 152 cm Pinacoteca di Brera, Milano Guercino sets the story of Abraham, aged 100, casting out the slave Hagar and their…
Guercino (1591-1666) Cristo risorto appare alla madre (The Resurrected Christ Appears to the Virgin) 1629 Oil on canvas, 260 x 179.5 cm Civica Pinacoteca Il Guercino, Cento Wrapped in a metallic-colored drapery, beautiful and solemn in his gait, with the flag…
Guercino (1591-1666) Sansone catturato dai filistei (Samson Captured by the Philistines) 1619 Oil on canvas, 191.1 x 236.9 cm Metropolitan Museum of Art, New York According to the Bible, Samson, whose strength came from his hair, was shorn by his duplicitous…
Guercino (1591-1666) La Veronica (Saint Veronica) 1600 Oil on canvas, 76.2 x 60.1 cm Fondazione Carige, Genova
Guercino (1591-1666) Madonna del cardellino (Madonna and Child with an Escaped Goldfinch) early 1630s Red chalk on paper, 26.3 x 20.3 cm National Gallery of Art, Washington