Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…
Rubens, Peter Paul (1577-1640) Self-portrait c.1638 Oil on canvas, 110 × 85.5 × 2.4 cm Kunsthistorisches Museum, Vienna
Canaletto (1697-1768) La Dogana a Venezia (The Dogana in Venice) c.1724–1730 Oil on canvas, 46 × 63.4 cm Kunsthistorisches Museum, Vienna See also: • Punta della Dogana | Venezia (Italia)
Guercino (1591-1666) Ritorno del figliol prodigo (Homecoming of the Prodigal Son) 1619 Oil on canvas, 107 × 143.5 cm Kunsthistorisches Museum, Vienna Compare: Guercino (1591-1666) Il ritorno del figliol prodigo 1654–1655 Timken Museum of Art, San Diego
Tiziano (c.1488-1576) Bravo (The Bravo) c.1515–1520 Oil on canvas, 77 × 66.5 cm Kunsthistorisches Museum, Vienna
Rubens, Peter Paul (1577-1640) Aeolus early 17th century Oil on canvas, 140 x 126 cm Museo del Prado, Madrid This work, together with Vulcano y el fuego (P1717), has been considered part of a possible series of four paintings that would…
Rubens, Peter Paul (1577-1640) Family of Jan Brueghel the Elder 1613–1615 Oil on panel, 95.2 x 125.1 cm Courtauld Institute of Art, London See also: • Brueghel, Jan the Elder (1568-1625) | Brueghel, Jan the Younger (1601-1678)
Rubens, Peter Paul (1577-1640) The Honeysuckle Bower c.1609–1610 Oil on canvas, transferred to wood, 178 x 136.5 cm Alte Pinakothek, Munich Rubens returned to Antwerp in 1608 after an eight-year stay in Italy. The following year he married Isabella Brant. This…
Rubens, Peter Paul (1577-1640) Portrait of a Man, Possibly an Architect or Geographer 1597 Oil on copper, 21.6 x 14.6 cm Metropolitan Museum of Art, New York This sensitive portrait on copper is one of Rubens’s earliest known works. The square…
Rubens, Peter Paul (1577-1640) Hélène Fourment putting on a glove c.1632 Oil on oak, 96.6 x 69 cm Alte Pinakothek, Munich When compared with the elaborate and imposing full-length portrait of Helene Fourment in the collection (inv. no. 340), the present…