Vermeer, Jan (1632-1675) A Young Woman Standing at a Virginal (Staande Virginaalspeelster) c.1670–1672 Oil on canvas, 51.7 x 45.2 cm National Gallery, London A young woman standing at a keyboard holds our eye with a direct gaze. Suffused in the light…
Vermeer, Jan (1632-1675) A Young Woman Seated at a Virginal (Zittende virginaalspeelster) c.1670–1672 Oil on canvas, 51.5 x 45.5 cm National Gallery, London A colourful hanging tapestry has been swept to one side to reveal a young woman seated at a…
Mantegna, Andrea (c.1431-1506) Presentazione al Tempio (Presentation in the Temple) c.1454 Tempera on wood, 77.1 x 94.4 cm Gemäldegalerie, Berlin The Presentation of Christ in the Temple is narrated in the Gospel of Saint Luke (2:21–39). Soon after his birth, Jesus was…
Bernini, Gian Lorenzo (1598-1680) Il Ratto di Proserpina (The Rape of Proserpina) 1621–1622 Marble, 255 cm Galleria Borghese, Roma The work portrays the abduction of Proserpine by Pluto, god of the underworld. Narrated by both Claudian and Ovid, the myth tells…
Bernini, Gian Lorenzo (1598-1680) Anima dannata (Damned soul) 1619 Marble, 38 cm Palazzo di Spagna, Roma
Bernini, Gian Lorenzo (1598-1680) Enea, Anchise e Ascanio (Aeneas, Anchises, and Ascanius) 1619 Marble, h. 220 cm Galleria Borghese, Roma This is the first large sculpture group produced by Gian Lorenzo Bernini for Scipione Borghese, for which a payment receipt dating…
Bernini, Gian Lorenzo (1598-1680) Apollo e Dafne (Apollo and Daphne) 1622–1625 Carrara marble, h. 243 cm Galleria Borghese, Roma Apollo here is depicted in the act of running, with his right foot touching the ground and his left raised; the garment…
Bernini, Gian Lorenzo (1598-1680) Fontana dei Fiumi (Fountain of the Four Rivers) 1651 Marble and travertine Piazza Navona, Roma Río de la Plata River Ganges River Nile The Danube Compare: Rubens, Peter Paul (1577-1640) The Four Rivers of Paradise c.1615 Kunsthistorisches…
Bazille, Frédéric (1841-1870) Fleurs (Flowers) 1868 Oil on canvas, 130 x 97 cm Musée de Grenoble, Grenoble Coming from a large Protestant family in Montpellier, Frédéric Bazille was destined for a career as a doctor. However, in 1862 he entered Gleyre’s studio…