Tiziano (c.1488-1576) Ecce Homo (Christ Shown to the People) c.1570–1576 Oil on canvas, 109.2 x 94.8 cm Saint Louis Art Museum, St. Louis By the glow of a blazing torchlight, Pontius Pilate, the Roman ruler of ancient Judea, presents Jesus to…
Derain, André (1880-1954) Le Bal à Suresnes (At the Suresnes Ball) 1903 Oil on canvas, 180 × 145.1 cm Saint Louis Art Museum, St. Louis A man in an infantry uniform dances with a taller woman, the splayed fingers of his…
Martini, Simone (c.1284-1344) San Pietro (St. Peter) s.d. Tempera and gold on panel, 58 x 38.5 cm Museo Thyssen-Bornemisza, Madrid ©Carmen Thyssen Collection As is required by an iconographic tradition without exceptions, St. Peter is represented as an old man holding…
Delacroix, Eugène (1798-1863) L’exécution du Doge Marino Faliero (The Execution of the Doge Marino Faliero) 1825–1826 Oil on canvas, 145.6 x 113.8 cm Wallace Collection, London See also: • Faliero, Marino (1274-1355)
Delacroix, Eugène (1798-1863) Faust et Méphistophélès (Faust and Mephistopheles) 1827–1828 Oil on canvas, 45.5 x 37.7 cm Wallace Collection, London See also: • Goethe, Johann Wolfgang von (1749-1832)
Murillo, Bartolomé Esteban (1617-1682) Los desposorios de la Virgen (The Marriage of the Virgin) c.1670 Oil on mahogany panel, 76.2 x 56.5 cm Wallace Collection, London
Hals, Frans (c.1582-1666) Merrymakers at Shrovetide c.1616–1617 Oil on canvas, 131.4 x 99.7 cm Metropolitan Museum of Art, New York Shrovetide, now better known as Mardi Gras, is the traditional period of indulgence before the fasting and self-discipline of Lent. In the…
Hals, Frans (c.1582-1666) The Laughing Cavalier 1624 Oil on canvas, 83 x 67.3 cm Wallace Collection, London A highly gifted portraitist, Frans Hals had a supreme ability to characterise his sitters and make them appear lifelike. This exuberant portrait of a…
Zurbarán, Francisco de (1598-1664) San Andrés (Saint Andrew) 1635–1640 Oil on canvas, 146 x 61 cm Museum of Fine Arts, Budapest
Zurbarán, Francisco de (1598-1664) La Sagrada Familia (The Holy Family) 1659 Oil on canvas, 121.5 x 97 cm Museum of Fine Arts, Budapest At the very end of his career, Zurbarán abandoned the tenebroso manner of painting that had characterised his…