Bellini, Giovanni (c.1430-1516) Presentazione di Gesù al Tempio (Presentation of Jesus in the Temple) c.1470 Oil on wood, 82 x 106 cm Fondazione Querini Stampalia, Venezia Image: © Fondazione Querini Stampalia Onlus, Venezia The Presentation at the Temple is one of…
Tiziano (c.1488-1576) Adorazione dei Magi (Adoration of the Magi) c.1557–1560 Oil on canvas, 223 × 120 cm Pinacoteca Ambrosiana, Milano Painted around 1559–60, the painting has much in common with Titian’s mature works. The rendering of the sky is interesting, for the…
Tiziano (c.1488-1576) Uomo in armatura (Man in Armour) c.1530 Oil on canvas, 65 x 58 cm Pinacoteca Ambrosiana, Milano In his Musaeum Federico Borromeo writes that “Titian would have wanted to paint his father like this, armour-clad, to celebrate in a playful…
Caillebotte, Gustave (1848-1894) Portrait de Madame X (Portrait of Madame X) 1878 Pastel, 63 x 50 cm Musée Fabre, Montpellier A central figure in Impressionism, Caillebotte trained in 1871 in the very academic studio of Léon Bonnat. While he passed the entrance…
Courbet, Gustave (1819-1877) La Rencontre ou Bonjour Monsieur Courbet (The Meeting or Hello M. Courbet) 1854 Oil on canvas, 132.40 x 151 cm Musée Fabre, Montpellier Montpellier, painted by the artist for Alfred Bruyas (1821-1877), 1854; gift from Alfred Bruyas to the…
Monet, Claude (1840-1926) Portrait de Bazille (Portrait of Bazille) 1864 Oil on wood, 40.50 x 31.50 cm Musée Fabre, Montpellier Recent research has returned this beautiful painting to Monet, and dated it to 1864 when, staying in Honfleur, Monet and Bazille worked…
Van Dyck, Anthony (1599-1641) Self-Portrait c.1640 Oil on canvas, 56 x 46 cm National Portrait Gallery, London This portrait is one of three known self-portraits painted by van Dyck when he was in England, and it probably dates from the last years…
Tintoretto, Jacopo (1518-1594) Autoritratto (Self-Portrait) c.1546–1548 Oil on canvas, 45.1 × 38.1 cm Philadelphia Museum of Art, Philadelphia This dramatically intimate self-portrait announced the arrival of a new talent on the Venetian art scene; Tintoretto painted it when he was just beginning…
Rembrandt (1606-1669) Sketch of The Knight with the Falcon, known as the “Crusader” 1659–1661 Oil on canvas, 68.5 x 55.5 cm Statens Museum for Kunst, Copenhagen Surrounded by darkness, a face brightens up to meet the viewer. The eyes hold us tight.…
Arp, Jean (1886-1966) Moustaches c.1925 Oil on board, 30.7 x 22.7 cm Tate Britain, London Arp developed a distinctive repertoire of abstracted shapes for his sculptural reliefs. The same motifs, repeated from work to work, were intended as a kind of…