Rembrandt (1606-1669) Young Woman in Fantasy Costume 1633 Oil on panel, 65 x 48 cm Rijksmuseum, Amsterdam This young woman’s clothing does not reflect the fashion of Rembrandt’s day, but dates from earlier centuries. That suggests this is a tronie,…
Rembrandt (1606-1669) Musical Company 1626 Oil on panel, 63.5 x 48 cm Rijksmuseum, Amsterdam The subject of this painting is a mystery: is it an exhortation to praise God through singing and string music, or a scene of seduction with…
Rembrandt (1606-1669) Isaac and Rebecca, known as ‘The Jewish Bride’ c.1665–1669 Oil on canvas, 121.5 x 166.5 cm Rijksmuseum, Amsterdam To prevent being killed and having his wife captured by King Abimelech, Isaac concealed his love for Rebecca by pretending…
Rembrandt (1606-1669) Saskia van Uylenburgh, the Wife of the Artist probably begun 1634/1635 and completed 1638/1640 Oil on panel, 60.5 x 49 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went…
Rembrandt (1606-1669) Lucretia 1664 Oil on canvas, 120 x 101 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a…
Rembrandt (1606-1669) Portrait of a Woman, probably a Member of the Van Beresteyn Family 1632 Oil on canvas, 111.8 x 88.9 cm Metropolitan Museum of Art, New York This portrait is a pendant to the Portrait of a Man (29.100.3). If…
Rembrandt (1606-1669) Portrait of a Young Woman with a Fan 1633 Oil on canvas, 125.7 x 101 cm Metropolitan Museum of Art, New York This animated portrait has a pendant showing the sitter’s husband rising from a chair (Taft Museum, Cincinnati).…
Lairesse, Gérard de (1641-1711) Selene and Endymion c.1680 Oil on canvas, 177 x 118.5 cm Rijksmuseum, Amsterdam The chaste goddess of the moon, Selene (or Diana), is in love with the shepherd Endymion. Only at night when he is asleep does…
Rembrandt (1606-1669) Bellona 1633 Oil on canvas, 127 x 97.5 cm Metropolitan Museum of Art, New York Typical of Rembrandt’s domestication of ancient myth, this depiction of the Roman goddess of war may have reflected the Dutch readiness for conflict during…
Rembrandt (1606-1669) Judith at the banquet of Holofernes 1634 Oil on canvas, 143 x 154.7 cm Museo del Prado, Madrid In the past various authors have expressed their scepticism about the attribution of the painting to Rembrandt. However, the Rembrandt Research…