Holbein, Hans the Younger (c.1497-1543) Edward VI as a Child probably 1538 Oil on panel, 56.8 x 44 cm National Gallery of Art, Washington Inscription: PARVVLE PATRISSA, PATRIÆ VIRTVTIS ET HÆRES / ESTO, NIHIL MAIVS MAXIMVS ORBIS HABET. / GNATVM…
Tintoretto, Jacopo (1518-1594) Estate (Summer) c.1546–1548 Oil on canvas, 105.7 x 193 cm National Gallery of Art, Washington Summer is represented here as Ceres, goddess of agriculture, reclining in front of her attribute, a row of wheat stalks. The work…
Tintoretto, Jacopo (1518-1594) Madonna delle stelle (The Madonna of the Stars) c.1575–1585 Oil on canvas, 92.7 x 72.7 cm National Gallery of Art, Washington This is one of a small group of loosely related paintings of the Madonna and Child…
Tintoretto, Jacopo (1518-1594) La conversione di san Paolo (The Conversion of Saint Paul) c.1544 Oil on canvas, 152.7 x 236.3 cm National Gallery of Art, Washington Before he became known as Saint Paul, Saul was a persecutor of Christians. This…
Turner, Joseph Mallord William (1775-1851) The Evening of the Deluge c.1843 Oil on canvas, 76 x 76 cm National Gallery of Art, Washington A butter-yellow sky fills the top two-thirds of this square landscape painting while in the bottom third,…
Turner, Joseph Mallord William (1775-1851) Keelmen Heaving in Coals by Moonlight 1835 Oil on canvas, 92.3 x 122.8 cm National Gallery of Art, Washington Joseph Mallord William Turner excelled at capturing the beauty and mysteries of light. Cool, white moonlight…
Turner, Joseph Mallord William (1775-1851) Venice: The Dogana and San Giorgio Maggiore 1834 Oil on canvas, 91.5 x 122 cm National Gallery of Art, Washington We look across a glittering waterway lined with long, low boats and sailboats at an…
Turner, Joseph Mallord William (1775-1851) The Dogana and Santa Maria della Salute, Venice 1843 Oil on canvas, 62 x 93 cm National Gallery of Art, Washington Through a golden haze and across an expanse of gently rippling water dotted with…
Turner, Joseph Mallord William (1775-1851) Approach to Venice 1844 Oil on canvas, 62 x 94 cm National Gallery of Art, Washington When Approach to Venice was first exhibited in 1844, Joseph Mallord William Turner quoted Lord Byron in the catalog…