Tag: nipple

San Girolamo penitente (c.1575)

Tiziano (c.1488-1576) San Girolamo penitente (The Penitent Saint Jerome) c.1575 Oil on canvas, 137 x 97 cm Museo Thyssen-Bornemisza, Madrid The Penitent Saint Jerome is dated to the final period of Titian’s career. During these years Titian continued to paint masterpieces,…

La crocifissione (1456-1459)

Mantegna, Andrea (c.1431-1506) La crocifissione (The Crucifixion) 1456–1459 Tempera on poplar, 76 x 96 cm Musée du Louvre, Paris Central panel of the predella of the triptych commissioned by the apostolic prothonotary Gregorio Correr for the high altar of the church…

San Sebastiano (4th quarter of the 15th century)

Mantegna, Andrea (c.1431-1506) San Sebastiano (Saint Sebastian) 4th quarter of the 15th century Tempera on canvas, 255 x 140 cm Musée du Louvre, Paris Composition surrounded by a trompe-l’oeil porphyry border. Probably arrived in Aigueperse (Auvergne) on the occasion of the marriage…

Diane (early 19th century)

Géricault, Théodore (1791-1824) Diane (Diana) Early 19th century Wash, pen on paper, 17.3 x 12 cm Museo del Prado, Madrid The composition is almost identical, with the same dimensions, to a Venus disarming Cupid (New York, Sotheby’s, January 28, 2015, n.…

La sepoltura (1529-1530)

Parmigianino (1503-1540) La sepoltura (The Entombment) 1529–1530 Etching, 27.1 x 20.4 cm Cleveland Museum of Art, Cleveland One of the most important Mannerist painters, Parmigianino was the first artist to exploit the fluid, expressive potential of etching. The graphic vocabulary of…

The Sin (1901)

Munch, Edvard (1863-1944) The Sin (Woman with Red Hair and Green Eyes) 1901 Color lithograph, 69.8 x 40.2 cm Cleveland Museum of Art, Cleveland The fatal women and embracing couples in Picasso’s art of the early 1900s exhibit striking affinities with…

Persée et Andromède (c.1819)

Ingres, Jean Auguste Dominique (1780-1867) Persée et Andromède (Perseus and Andromeda) c.1819 Oil on canvas, 19.7 × 16.2 cm Detroit Institute of Arts, Detroit Ingres‘s vulnerable figure of Andromeda is the “classic” idealized figure study. The fact that she is being…

The Four Rivers of Paradise (c.1615)

Rubens, Peter Paul (1577-1640) The Four Rivers of Paradise c.1615 Oil on canvas, 208 × 283 cm Kunsthistorisches Museum, Vienna According to the conventional interpretation, the four continents are depicted here as female allegoric figures paired with the gods of their…

Danae e la pioggia d’oro (1621-1623)

Gentileschi, Orazio (1563-1639) Danae e la pioggia d’oro (Danae and the Shower of Gold) 1621–1623 Oil on canvas, 161.5 × 227.1 cm Getty Center, Los Angeles This painting is part of a series of works executed by Gentileschi in 1622 for…