Tag: nose

Le Pâtissier (c.1919)

Soutine, Chaïm (1893-1943) Le Pâtissier (The Pastry Chef, Baker Boy) c.1919 Oil on canvas, 66 x 51 cm Barnes Foundation, Philadelphia When Albert Barnes first visited Chaim Soutine‘s Paris studio in 1922, the struggling artist was known only in the city’s…

Venus and Cupid (c.1606-1611)

Rubens, Peter Paul (1577-1640) Venus and Cupid c.1606–1611 Oil on canvas, 137 x 111 cm Museo Thyssen-Bornemisza, Madrid Rubens was the most outstanding of all Flemish painters, and a leading exponent of Baroque art. The Toilet of Venus is one of…

Giovanna degli Albizzi Tornabuoni (1489-1490)

Ghirlandaio, Domenico (1448-1494) Giovanna degli Albizzi Tornabuoni 1489–1490 Mixed media on panel, 77 x 49 cm Museo Thyssen-Bornemisza, Madrid This superb panel is a fine example of fifteenth-century Florentine portraiture. Artists of the time followed classical dictates: body proportions were idealised while…

The Laughing Cavalier (1624)

Hals, Frans (c.1582-1666) The Laughing Cavalier 1624 Oil on canvas, 83 x 67.3 cm Wallace Collection, London A highly gifted portraitist, Frans Hals had a supreme ability to characterise his sitters and make them appear lifelike. This exuberant portrait of a…

Portrait of a Woman (c.1648)

Hals, Frans (c.1582-1666) Portrait of a Woman c.1648 Oil on canvas, 108 x 80 cm Musée du Louvre, Paris Dated around 1648 and perhaps, according to Grimm, a work by Jan Hals, in comparison with the latter’s Portrait of a Lady,…

El Afilador (c.1808-1812)

Goya, Francisco de (1746-1828) El Afilador (The Knife-Grinder) c.1808–1812 Oil on canvas, 68 × 50.5 cm Museum of Fine Arts, Budapest Pair: Goya, Francisco de (1746-1828) La Aguadora c.1808–1812 Museum of Fine Arts, Budapest    

A Man (c.1435)

Campin, Robert (c.1378-1444) A Man c.1435 Oil with egg tempera on oak, 40.7 x 28.1 cm National Gallery, London This striking portrait of a man in a red hat forms a pair with Campin’s A Woman – the sitters were clearly husband…

A Woman (c.1435)

Campin, Robert (c.1378-1444) A Woman c.1435 Oil with egg tempera on oak, 40.6 x 28.1 cm National Gallery, London This striking portrait of a woman forms a pair with Campin’s portrait A Man: the sitters were clearly married. We don’t know…