Renoir, Pierre-Auguste (1841-1919) Nu dans un paysage (Nude in a Landscape) c.1887 Oil on canvas, 21 x 31.7 cm Princeton University Art Museum, Princeton
Géricault, Théodore (1791-1824) Satyre et nymphe (Satyr and Nymph) 1817 Black chalk with brown wash and white gouache, 22.2 x 18.2 cm Princeton University Art Museum, Princeton
Gauguin, Paul (1848-1903) Femme de la Martinique (Woman of Martinique) 1889 Painted clay, textile, paper, wooden base, 19.7 × 11.1 × 7 cm Princeton University Art Museum, Princeton This sculpture reveals an array of references to non‑Western cultures that the artist…
Burne-Jones, Edward (1833-1898) Venus Discordia 1873 Oil on canvas, 128.2 x 209.8 cm National Museum Wales, Cardiff Born in Birmingham, but of Welsh extraction, Burne-Jones was much admired by early twentieth-century Welsh critics. A friend of William Morris and an associate…
Jordaens, Jacob (1593-1678) Adam and Eve (The Fall of Man) 1640s Oil on canvas, 184.5 × 221 cm Museum of Fine Arts, Budapest Compare: Jordaens, Jacob (1593-1678) Adam and Eve 1642 Toledo Museum of Art, Toledo
Jordaens, Jacob (1593-1678) Adam and Eve 1642 Oil on canvas, 203.2 x 182.9 cm Toledo Museum of Art, Toledo Compare: Jordaens, Jacob (1593-1678) Adam and Eve 1640s Museum of Fine Arts, Budapest
Renoir, Pierre-Auguste (1841-1919) La Laveuse (Washerwoman) 1917 Bronze, 122.6 x 54.6 x 127 cm Toledo Museum of Art, Toledo Renoir conceived Washerwoman as one of a pair of figures. The other, never completed, would have been a blacksmith. The figures were…
Carracci, Annibale (1560-1609) Studio per La scelta di Ercole (Study for the Choice of Hercules) c.1595–1597 Pen and ink over traces of red chalk on paper, 22.3 × 19.3 cm Princeton University Art Museum, Princeton Annibale Carracci’s first decorative project for the…