Tag: nude

Zuffa di dei marini (c.1470-1475)

Mantegna, Andrea (c.1431-1506) Zuffa di dei marini (Battle of the Sea Gods) c.1470–1475 Engraving, 30.5 x 43.3 cm Princeton University Art Museum, Princeton This engraving by Mantegna, court painter to the Gonzaga family in Mantua, manifests the revival of classical antiquity…

Statue dite “Bacchus Richelieu” (1793)

Ingres, Jean Auguste Dominique (1780-1867) Statue dite “Bacchus Richelieu” (The so-called “Bacchus Richelieu”) 1793 Charcoal with stumping slightly accented with black chalk, 70 × 53 cm Princeton University Art Museum, Princeton Ingres‘s early academic training in Toulouse is reflected in this…

Satyre et nymphe (1817)

Géricault, Théodore (1791-1824) Satyre et nymphe (Satyr and Nymph) 1817 Black chalk with brown wash and white gouache, 22.2 x 18.2 cm Princeton University Art Museum, Princeton

Femme de la Martinique (1889)

Gauguin, Paul (1848-1903) Femme de la Martinique (Woman of Martinique) 1889 Painted clay, textile, paper, wooden base, 19.7 × 11.1 × 7 cm Princeton University Art Museum, Princeton This sculpture reveals an array of references to non‑Western cultures that the artist…

Venus Discordia (1873)

Burne-Jones, Edward (1833-1898) Venus Discordia 1873 Oil on canvas, 128.2 x 209.8 cm National Museum Wales, Cardiff Born in Birmingham, but of Welsh extraction, Burne-Jones was much admired by early twentieth-century Welsh critics. A friend of William Morris and an associate…

Adam and Eve (1640s)

Jordaens, Jacob (1593-1678) Adam and Eve (The Fall of Man) 1640s Oil on canvas, 184.5 × 221 cm Museum of Fine Arts, Budapest Compare: Jordaens, Jacob (1593-1678) Adam and Eve 1642 Toledo Museum of Art, Toledo    

Adam and Eve (1642)

Jordaens, Jacob (1593-1678) Adam and Eve 1642 Oil on canvas, 203.2 x 182.9 cm Toledo Museum of Art, Toledo Compare: Jordaens, Jacob (1593-1678) Adam and Eve 1640s Museum of Fine Arts, Budapest    

La Laveuse (1917)

Renoir, Pierre-Auguste (1841-1919) La Laveuse (Washerwoman) 1917 Bronze, 122.6 x 54.6 x 127 cm Toledo Museum of Art, Toledo Renoir conceived Washerwoman as one of a pair of figures. The other, never completed, would have been a blacksmith. The figures were…