Tag: paper

Croquis d’un tigre (s.d.)

Delacroix, Eugène (1798-1863) Croquis d’un tigre (Sketch of a Tiger) 19th century Watercolor over graphite on buff paper, 20 x 29 cm Fogg Museum, Cambridge, MA

Parahi te marae (c.1892)

Gauguin, Paul (1848-1903) Parahi te marae (There Is the Temple) c.1892 Watercolor over graphite on Japanese paper, 18.5 x 22.9 cm Fogg Museum, Cambridge, MA Compare: Gauguin, Paul (1848-1903) Parahi Te Marae 1892 Philadelphia Museum of Art, Philadelphia     See…

Portrait of the Artist (1878)

Cassatt, Mary (1844-1926) Portrait of the Artist 1878 Watercolor, gouache on wove paper laid down to buff-colored wood-pulp paper, 60 x 41.1 cm Metropolitan Museum of Art, New York Mary Cassatt painted this self-portrait, one of only two known, a…

Lola de Valence (1915)

Modigliani, Amedeo (1884-1920) Lola de Valence 1915 Oil on paper, mounted on wood, 52.1 × 33.7 cm Metropolitan Museum of Art, New York Modigliani consistently integrated stylistic features of African art into his distinctive portraits. This work represents Lola de Valence,…

Portrait d’Edmond Duranty (1879)

Degas, Edgar (1834-1917) Portrait d’Edmond Duranty (Portrait of Edmond Duranty) 1879 Gouache with pastel enlivenment on linen, 100 x 100.4 cm Burrell Collection, Glasgow See also: • Duranty, Edmond (1833-1880)

Cristo benedicente (c.1465)

Antonello da Messina (c.1430-1479) Cristo benedicente (Christ Blessing) c.1465 Oil on wood, 38.7 x 29.8 cm National Gallery, London Christ blesses the viewer with his right hand. Antonello has altered the original position of the fingers and hand, foreshortening them –…

Ritratto del Cardinale Bibbiena (c.1516)

Raffaello (1483-1520) Ritratto del Cardinale Bibbiena (Portrait of Cardinal Bibbiena) c.1516 Oil on panel, 85 x 66.5 cm Galleria Palatina, Firenze Bernardo Dovizi (Bibbiena 1470– Rome 1520) was a scholar and a diplomat, as well as a friend and trusted private secretary…

Tommaso Inghirami (c.1510)

Raffaello (1483-1520) & Workshop Tommaso Inghirami c.1510 Oil on wood, 90 x 62.5 cm Isabella Stewart Gardner Museum, Boston Lost in thought, Inghirami gazes up and to the right. Raphael may have chosen this angle to diminish the impact of the sitter’s…