Gainsborough, Thomas (1727-1788) A Woodman Seated on a Bundle of Faggots 1787 Chalk with touches of gouache on buff laid paper, 48.5 × 29.6 cm Art Institute of Chicago, Chicago
Fragonard, Jean-Honoré (1732-1806) Portrait d’un homme en costume (Portrait of a Man in Costume) c.1767–1768 Oil on canvas, 80.3 × 64.7 cm Art Institute of Chicago, Chicago Jean-Honoré Fragonard is perhaps best known for his light-hearted, amorous subjects, which seem to embody…
Dürer, Albrecht (1471-1528) Erasmus of Rotterdam 1526 Engraving in black on ivory laid paper, 25.1 × 19.3 cm Art Institute of Chicago, Chicago Albrecht Dürer idolized the learned Dutch humanist Desiderius Erasmus, famously noting in his diary that Erasmus should take over…
Cassatt, Mary (1844-1926) Après la corrida (After the Bullfight) 1873 Oil on canvas, 82.5 × 64 cm Art Institute of Chicago, Chicago Mary Cassatt chose a quintessentially Spanish subject, executing this composition of a bullfighter, or torero, in full regalia during an…
Bracquemond, Félix (1833-1914) Édouard Manet c.1867 Etching on ivory laid paper, 15.5 × 11.8 cm Art Institute of Chicago, Chicago See also: • Manet, Édouard (1832-1883)
Andrea del Sarto (1486-1530) Domenico da Gambassi (or Becuccio Bicchieraio) c.1525–1528 Oil on panel, 22.5 × 15.9 cm Art Institute of Chicago, Chicago Andrea del Sarto created this portrait to be incorporated, together with the Portrait of Becuccio Bicchieraio’s wife, in the…
Allori, Alessandro (1535-1607) Francesco de’ Medici c.1560 Oil on poplar panel, 97.9 × 76.4 cm Art Institute of Chicago, Chicago See also: • Francesco I de’ Medici (1541-1587)
Piero della Francesca (c.1416-1492) Sant’Apollonia (Saint Apollonia) c.1455–1460 Tempera on poplar panel, 38.8 x 28 cm National Gallery of Art, Washington Attributed to Piero della Francesca. Shown from the knees up, a pale-skinned woman in front of a gold background wears a…