Tag: portrait

L’Homme en bleu (c.1921)

Soutine, Chaïm (1893-1943) L’Homme en bleu (Man in Blue) c.1921 Oil on canvas, 130.8 x 65.7 cm Barnes Foundation, Philadelphia Though conventional in format, this portrait of an unidentified man is uniquely Soutine‘s in its gestural brushwork and fiery colors. As in…

La Femme en bleu (c.1919)

Soutine, Chaïm (1893-1943) La Femme en bleu (Woman in Blue) c.1919 Oil on canvas, 100.3 x 60.3 cm Barnes Foundation, Philadelphia Born in Lithuania, Soutine emigrated to Paris in 1913 and settled in the bohemian neighborhood of Montparnasse. The identity of his…

Le Pâtissier (c.1919)

Soutine, Chaïm (1893-1943) Le Pâtissier (The Pastry Chef, Baker Boy) c.1919 Oil on canvas, 66 x 51 cm Barnes Foundation, Philadelphia When Albert Barnes first visited Chaim Soutine‘s Paris studio in 1922, the struggling artist was known only in the city’s…

Gitano de Figueres (1923)

Dalí, Salvador (1904-1989) Gitano de Figueres (Gypsy from Figueres) 1923 Oil and gouache on cardboard, 104 x 75 cm Museo Reina Sofía, Madrid See also: • Figueras (España)

Portrait of Millicent, Duchess of Sutherland (1904)

Sargent, John Singer (1856-1925) Portrait of Millicent, Duchess of Sutherland 1904 Oil on canvas, 254 x 146 cm Museo Thyssen-Bornemisza, Madrid John Singer Sargent lived in Paris until 1886. He studied with the painter Carolus Duran and made friends with a…

Family Group in a Landscape (1645-1648)

Hals, Frans (c.1582-1666) Family Group in a Landscape 1645–1648 Oil on canvas, 202 x 285 cm Museo Thyssen-Bornemisza, Madrid Frans Hals is widely considered the most brilliant exponent of Dutch portraiture, a genre that enjoyed immense popularity in the seventeenth century.…

Giovanna degli Albizzi Tornabuoni (1489-1490)

Ghirlandaio, Domenico (1448-1494) Giovanna degli Albizzi Tornabuoni 1489–1490 Mixed media on panel, 77 x 49 cm Museo Thyssen-Bornemisza, Madrid This superb panel is a fine example of fifteenth-century Florentine portraiture. Artists of the time followed classical dictates: body proportions were idealised while…