Guercino (1591-1666) La morte di Cleopatra (Death of Cleopatra) 1648 Oil on canvas, 173 x 237 cm Palazzo Rosso, Genova This painting, in which Cleopatra is depicted in the act of taking her life, in order not to suffer the shame…
Courbet, Gustave (1819-1877) Portrait de Zélie (Portrait of Zelie) 1853 Oil on canvas, 55 x 46 cm Musée des Beaux-Arts, Nancy See also: • Courbet, Zélie (1828-1875)
Veronese, Paolo (1528-1588) Cristo e la Samaritana (Christ and the Samaritan) c.1585 Oil on canvas, 143.5 × 288.3 × 3.2 cm Kunsthistorisches Museum, Vienna The Gospel according to St. John reflects the thoughtful dialogue between Christ and the (non-Jewish) woman from Samaria…
Correggio (c.1489-1534) Danae c.1531 Oil on canvas, 161 x 193 cm Galleria Borghese, Roma Together with Leda, Ganymede Abducted by the Eagle, and Jupiter and Io, this painting forms part of a well-known series of Jupiter’s loves, painted by Correggio for Federico…
Tiziano (c.1488-1576) Venere che benda Amore (Venus Blindfolding Cupid) c.1560–1565 Oil on canvas, 118 x 185 cm Galleria Borghese, Roma In all likelihood, this painting entered the Borghese Collection in 1608, when it was given to Scipione Borghese by Cardinal Paolo Emilio…
Guercino (1591-1666) Cristo e la donna di Samaria (Christ and the Woman of Samaria) c.1619–1620 Oil on canvas, 97.2 x 124.8 cm Kimbell Art Museum, Fort Worth Guercino was one of the foremost painters of the seventeenth century. This recently rediscovered work…
Monet, Claude (1840-1926) Portrait de Michel Monet bébé (Portrait of Michel Monet as a baby) 1878–1879 Oil on canvas, 46 x 37 cm Musée Marmottan Monet, Paris See also: • Monet, Michel (1878-1966)
Fontana, Lavinia (1552-1614) Visita della regina di Saba al re Salomone (The Visit of the Queen of Sheba to King Solomon) 1599 Oil on canvas, 256 x 325 cm National Gallery of Ireland, Dublin In 1872, just eight years after first opening…
Tiziano (c.1488-1576) Uomo in armatura (Man in Armour) c.1530 Oil on canvas, 65 x 58 cm Pinacoteca Ambrosiana, Milano In his Musaeum Federico Borromeo writes that “Titian would have wanted to paint his father like this, armour-clad, to celebrate in a playful…