Sisley, Alfred (1839-1899) Inondation à Moret (Flood at Moret) 1879 Oil on canvas, 54 x 71.8 cm Brooklyn Museum, New York In the 1870s, the Seine and its tributaries, including the Loing, were flooded several times as a consequence of increased…
Daubigny, Charles-François (1817-1878) Péniche sur l’Oise, le soir, Île de Vaux (Barge on the Oise, evening, Île de Vaux) 1870 Oil on canvas, 46 × 81 cm National Gallery of Victoria, Melbourne See also: • Auvers-sur-Oise (France)
Monet, Claude (1840-1926) Printemps au bord de la Seine (Spring by the Seine) 1878 Oil on canvas, 61.8 x 50.3 cm Nationalgalleriet, Oslo
Morisot, Berthe (1841-1895) Le quai de Bougival (The Quay at Bougival) 1883 Oil on canvas, 55.6 x 46.1 cm Nationalgalleriet, Oslo See also: • Bougival (France)
Daubigny, Charles-François (1817-1878) Lever de lune sur les bords de l’Oise (Moonrise on the Banks of the River Oise) 1874 Oil on panel, 38.5 x 67.2 cm Museo Thyssen-Bornemisza, Madrid ©Carmen Thyssen Collection The river Oise was one of Daubigny‘s favourite…
Renoir, Pierre-Auguste (1841-1919) Paysage, Bords de Seine (Landscape, Banks of the Seine) c.1879 Oil on linen, 22.2 × 30.5 × 5.7 cm Baltimore Museum of Art, Baltimore It was stolen in 1951 from the Baltimore Museum of Art and resurfaced in…
Renoir, Pierre-Auguste (1841-1919) La Baigneuse au griffon, Lise au bord de la Seine (Bather with a Griffon Dog, Lise on the Bank of the Seine) 1870 Oil on canvas, 183.5 x 115 cm Museu de Arte, São Paulo Lise Tréhot (1848-1922) posed…
Renoir, Pierre-Auguste (1841-1919) Jeune fille au chapeau de paille (Young Woman in a Straw Hat) c.1866 Oil on canvas, 47 x 38.4 cm Barnes Foundation, Philadelphia The model is Renoir‘s mistress, Lise Tréhot, who wears a day dress and straw hat…
Monet, Claude (1840-1926) Fleurs au bord de la Seine, Argenteuil (Flowered Riverbank, Argenteuil) 1877 Oil on canvas, 53.8 x 65.1 cm Pola Museum of Art, Hakone See also: • Argenteuil (France)
Seurat, Georges (1859-1891) Une baignade à Asnières (Bathers at Asnières) 1884 Oil on canvas, 201 × 300 cm National Gallery, London This large picture was Seurat’s first major composition, painted when he had not yet turned 25. He intended it…