Raffaello (1483-1520) L’annunciazione (The Annunciation) 1502–1504 Tempera grassa on wood transferred to canvas, 39 x 190 cm Pinacoteca Vaticana, Vaticano This painting is the left part of the predella of the Oddi Altarpiece. The Crowning of the Virgin was painted for the altar…
Raffaello (1483-1520) Incoronazione della Vergine, detta Pala Oddi (Crowning of the Virgin, called Oddi Altarpiece) 1502–1504 Tempera grassa on wood transferred to canvas, 272 x 165 cm Pinacoteca Vaticana, Vaticano The Crowning of the Virgin was painted for the altar of…
Raffaello (1483-1520) San Giorgio e il drago (Saint George and the Dragon) c.1506 Oil on panel, 28.5 x 21.5 cm National Gallery of Art, Washington Raphael was born in Urbino, a central Italian duchy noted for its elegant gentility and Renaissance scholarship.…
Raffaello (1483-1520) L’orazione nell’Orto (The Agony in the Garden) c.1504–1505 Oil on wood, 24.1 x 28.9 cm Metropolitan Museum of Art, New York This panel was originally part of the base (predella) of the Colonna Altarpiece (Pala Colonna). This panel was…
Raffaello (1483-1520) Processione al Calvario (The Procession to Calvary) c.1504–1505 Oil on poplar, 24.4 x 85.5 cm National Gallery, London This is one of three scenes from the predella of Raphael’s Colonna Altarpiece, painted for the convent of S. Antonio da Padua…
Michelangelo (1475-1564) Battaglia dei centauri (Battle of the Centaurs) 1490–1492 Marble bas-relief, 84.5 x 88 cm Casa Buonarroti, Firenze The earliest mention of the Battle of the Centaurs is to be found in a letter written in…
Tiziano (c.1488-1576) Ecce Homo 1543 Oil on canvas, 242 x 361 cm Kunsthistorisches Museum, Vienna Signature: Referenced bottom center of the note: TITIANVS EQVES CES F. 1543 The scene was rarely depicted in Italy, but is probably explained by the Flemish origin…
Zurbarán, Francisco de (1598-1664) Casa de Nazareth (Christ and the Virgin in the House at Nazareth) c.1640 Oil on canvas, 165 x 218.2 cm Cleveland Museum of Art, Cleveland Stories of Christ’s childhood and adolescence became increasingly popular during the Counter-Reformation…
Degas, Edgar (1834-1917) Le Bureau de coton à La Nouvelle-Orléans (The Cotton Office in New Orleans) 1873 Oil on canvas, 73 x 92 cm Musée des Beaux-Arts, Pau
Renoir, Pierre-Auguste (1841-1919) Diane chasseresse (Diana) 1867 Oil on canvas, 199.5 x 129.5 cm National Gallery of Art, Washington Renoir wrote that he had produced this painting as a study of a nude, the sort of exercise that was a mainstay of…