Rousseau, Henri (1844-1910) Les représentants des puissances étrangères venant saluer la République en signe de paix (The Representatives of Foreign Powers Coming to Greet the Republic as a Sign of Peace) 1907 Oil on canvas, 130 x 161 cm Musée Picasso, Paris
Rousseau, Henri (1844-1910) Surpris! (Surprised!) 1891 Oil on canvas, 129.8 x 161.9 cm National Gallery, London A tiger crouches low in thick jungle foliage, its back arched and teeth bared. It is not entirely clear what is happening, however. Is the tiger…
Rousseau, Henri (1844-1910) Éclaireurs attaqués par un tigre (Scouts Attacked by a Tiger) 1904 Oil on canvas, 121.6 x 161.9 cm Barnes Foundation, Philadelphia Self-taught artist Henri Rousseau created his enormous jungle scenes by studying the plants and taxidermy animals in Paris‘s…
Rousseau, Henri (1844-1910) La Guerre (The War) after 1895 Photomechanical relief print on red coated wove paper, 32.5 × 49.9 cm National Gallery of Art, Washington
Rousseau, Henri (1844-1910) Les joueurs de football (The Football Players) 1908 Oil on canvas, 100.3 x 80.3 cm Guggenheim Museum, New York
Vermeer, Jan (1632-1675) Woman Writing a Letter, with her Maid (Schrijvende vrouw met dienstbode) c.1670 Oil on canvas, 71.1 x 60.5 cm National Gallery of Ireland, Dublin Considered one of the principal Dutch painters, Vermeer specialised in genre scenes, many of…
Vermeer, Jan (1632-1675) The Glass of Wine (Het glas wijn) 1658–1660 Oil on canvas, 67.7 x 79.6 cm Gemäldegalerie, Berlin In the reflection of cool daylight, which penetrates from the left, especially through the front of the two windows, a young…
Vermeer, Jan (1632-1675) Woman Holding a Balance (Vrouw met weegschaal) c.1664 Oil on canvas, 39.7 x 35.5 cm National Gallery of Art, Washington Woman Holding a Balance is a superb example of Johannes Vermeer’s exquisite sense of stability and rhythm. A…
Vermeer, Jan (1632-1675) The Concert (Het concert) c.1665 Oil on canvas, 72.5 x 64.7 cm Isabella Stewart Gardner Museum, Boston (stolen)
Vermeer, Jan (1632-1675) The Lacemaker (De kantwerkster) 1669–1670 Oil on canvas transferred to panel, 24 x 21 cm Musée du Louvre, Paris The motif of the lacemaker at work is traditionally a sign of domestic virtue, tinged with religious moralism (the…