Vermeer, Jan (1632-1675) The Glass of Wine (Het glas wijn) 1658–1660 Oil on canvas, 67.7 x 79.6 cm Gemäldegalerie, Berlin In the reflection of cool daylight, which penetrates from the left, especially through the front of the two windows, a young…
Vermeer, Jan (1632-1675) The Girl with the Wineglass (Maedchen mit weinglas) c.1658–1659 Oil on canvas, 78 x 67 cm Herzog Anton Ulrich Museum, Braunschweig Compare: Vermeer, Jan (1632-1675) The Glass of Wine 1658–1660 Gemäldegalerie, Berlin
Vermeer, Jan (1632-1675) Woman Holding a Balance (Vrouw met weegschaal) c.1664 Oil on canvas, 39.7 x 35.5 cm National Gallery of Art, Washington Woman Holding a Balance is a superb example of Johannes Vermeer’s exquisite sense of stability and rhythm. A…
Vermeer, Jan (1632-1675) The Procuress (De koppelaarster) 1656 Oil on canvas, 143 x 130 cm Gemäldegalerie Alte Meister, Dresden A large part of this painting is taken up by a carpet. The clearly recognizable pattern identifies it as a carpet from…
Vermeer, Jan (1632-1675) The Concert (Het concert) 1663–1666 Oil on canvas, 72.5 x 64.7 cm Isabella Stewart Gardner Museum, Boston In a pristine domestic parlor, two women and a man concentrate on making music. The standing woman holds a sheet of…
Vermeer, Jan (1632-1675) The Art of Painting (De Schilderkunst) c.1666–1668 Oil on canvas, 120 x 100 cm Kunsthistorisches Museum, Vienna Signature: Marked on the lower border strip of the map: I Ver-Meer Inscribed on the top border of the map: NOVA…
Vermeer, Jan (1632-1675) View of Delft (Gezicht op Delft) c.1660–1661 Oil on canvas, 96.5 x 115.7 cm Mauritshuis, The Hague View of Delft today: This is the most famous cityscape of the Dutch seventeenth century. The interplay of light and shade,…
Vermeer, Jan (1632-1675) Diana and her nymphs (Diana en haar Nimfen) c.1653–1654 Oil on canvas, 97.8 x 104.6 cm Mauritshuis, The Hague Signed lower left, on the rock, between the dog and the thistle: JVMeer VM in ligature Vermeer is best…
Vermeer, Jan (1632-1675) The Lacemaker (De kantwerkster) 1669–1670 Oil on canvas transferred to panel, 24 x 21 cm Musée du Louvre, Paris The motif of the lacemaker at work is traditionally a sign of domestic virtue, tinged with religious moralism (the…
Vermeer, Jan (1632-1675) Christ in the House of Martha and Mary (Christus in het huis van Martha en Maria) 1654–1656 Oil on canvas, 158.5 x 141.5 cm Scottish National Gallery, Edinburgh