Tag: scene

The Raising of the Cross (c.1633)

Rembrandt (1606-1669) The Raising of the Cross c.1633 Oil on canvas, 96.2 x 72.2 cm Alte Pinakothek, Munich The so-called ‘Passion Cycle’ was painted for the stadtholder of the United Provinces of the Netherlands, Prince Frederik Hendrik of Orange. The six…

The Deposition (1632-1633)

Rembrandt (1606-1669) The Deposition of Christ from the Cross 1632–1633 Oil on West Indian cedar (Cedrela odorata), 89.4 x 65.2 cm Alte Pinakothek, Munich The so-called ‘Passion Cycle’ was painted for the stadtholder of the United Provinces of the Netherlands, Prince…

The Adoration of the Shepherds (1646)

Rembrandt (1606-1669) The Adoration of the Shepherds 1646 Oil on canvas, 97 x 71.3 cm Alte Pinakothek, Munich The so-called ‘Passion Cycle’ was painted for the stadtholder of the United Provinces of the Netherlands, Prince Frederik Hendrik of Orange. The…

The Woman taken in Adultery (1644)

Rembrandt (1606-1669) The Woman taken in Adultery 1644 Oil on oak, 83.8 x 65.4 cm National Gallery, London A woman kneels and weeps. Darkness like a great cavern surrounds her. A shaft of light picks her out on the stone…

The Lamentation over the Dead Christ (c.1635)

Rembrandt (1606-1669) The Lamentation over the Dead Christ c.1635 Oil on paper and pieces of canvas, mounted onto oak, 31.9 x 26.7 cm National Gallery, London Christ’s body has just been taken down from the Cross, and his family and…

Ecce Homo (1634)

Rembrandt (1606-1669) Ecce Homo 1634 Oil on paper mounted onto canvas, 54.5 x 44.5 cm National Gallery, London ‘Ecce Homo’, the Latin title of this painting, is taken from the Bible, and means ‘Behold the man!’ These were the words…

Belshazzar’s Feast (c.1636-1638)

Rembrandt (1606-1669) Belshazzar’s Feast c.1636–1638 Oil on canvas, 167.6 x 209.2 cm National Gallery, London Belshazzar’s Feast was painted somewhere between 1636 and 1638, when Rembrandt was about 30 years old. He had to make his way in Amsterdam, a…

Anna and the Blind Tobit (c.1630)

Rembrandt (1606-1669) Anna and the Blind Tobit c.1630 Oil on oak, 63.8 x 47.7 cm National Gallery, London Even as a young man, Rembrandt was interested in the depiction of old age and aged people. He painted them as if…

The Supper at Emmaus (1648)

Rembrandt (1606-1669) The Supper at Emmaus 1648 Oil on mahogany, 68 x 65 cm Musée du Louvre, Paris Scene taken from the Gospel of Saint Luke (XXIV, 13-33), in which Christ, the day after his resurrection, reveals his divinity to…

The Holy Family with St Anne (1640)

Rembrandt (1606-1669) The Holy Family with St Anne 1640 Oil on panel, 41 x 34 cm Musée du Louvre, Paris The Christian meaning of the painting has often been obliterated in favor of a purely secular interpretation: for example at…