Canova, Antonio (1757-1822) Paolina Borghese Bonaparte come Venere Vincitrice (Paolina Borghese Bonaparte as Venus Victrix) 1804–1808 Carrara marble, 160 x 92 cm Galleria Borghese, Roma Portrayed by Antonio Canova in the guise Venus victorious in the Judgement of Paris, Pauline Borghese…
Canova, Antonio (1757-1822) Le tre Grazie (Three Graces) 1813–1816 Marble, h. 182 cm Hermitage Museum, Saint Petersburg A late work by Canova, The Three Graces was produced at a time when the artist was so famous that the public eagerly awaited…
Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1800–1803 Marble, h. 148 cm Hermitage Museum, Saint Petersburg Entered the Hermitage in 1815; previously in the collection of Jósephine de Beauharnais in the Castle of Malmaison near Paris. By the end…
Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1796 Marble, 148 x 172 cm Hermitage Museum, Saint Petersburg The theories of Neoclassicism, formulated in the works of the German scholar and philosopher Johann Joachim Winckelmann, were vividly embodied in the…
Canova, Antonio (1757-1822) Amore e Psiche in piedi (Cupid and Psyche Standing) c.1797 Marble, height: 145.1 cm; width: 63 cm; depth: 56 cm; diameter: 74 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Canova, Antonio (1757-1822) Amore e Psiche che si abbracciano (Psyche Revived by Cupid’s Kiss) 1787–1793 Marble, 155 x 168 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Michelangelo (1475-1564) David 1501–1504 Carrara marble, height 517 cm Galleria dell’Accademia, Firenze
Michelangelo (1475-1564) Bacco (Bacchus) 1496–1497 Marble, h. 207 cm Museo del Bargello, Firenze
Michelangelo (1475-1564) Battaglia dei centauri (Battle of the Centaurs) 1490–1492 Marble bas-relief, 84.5 x 88 cm Casa Buonarroti, Firenze The earliest mention of the Battle of the Centaurs is to be found in a letter written in…
Michelangelo (1475-1564) Madonna della Scala (Madonna of the Stairs) c.1490 Marble bas-relief, 56.7 x 40.1 cm Casa Buonarroti, Firenze The Madonna della scala, or Madonna of the Stairs, of which no mention was made during Michelangelo’s lifetime, was cited for the…