Vermeer, Jan (1632-1675) Girl with a Flute (Meisje met de fluit) c.1669–1675 Oil on panel, 20 x 17.8 cm National Gallery of Art, Washington Once cautiously attributed to Johannes Vermeer, Girl with a Flute was more likely painted by a studio…
Vermeer, Jan (1632-1675) The Guitar Player (De gitaarspeelster) c.1672 Oil on canvas, 53 x 46.3 cm Kenwood House, London Compare: Vermeer, Jan (1632-1675) Young Woman seated at a Virginal c.1672–1675 Private collection, New York
Vermeer, Jan (1632-1675) A Young Woman Seated at a Virginal (Zittende virginaalspeelster) c.1670–1672 Oil on canvas, 51.5 x 45.5 cm National Gallery, London A colourful hanging tapestry has been swept to one side to reveal a young woman seated at a…
Vermeer, Jan (1632-1675) Officer and Laughing Girl (De soldaat en het lachende meisje) c.1657 Oil on canvas, 50.5 x 46 cm Frick Collection, New York In what may be one of the first works of his mature style, Vermeer transforms the…
Vermeer, Jan (1632-1675) Girl interrupted at Her Music (Onderbreking van de muziek) c.1658–1659 Oil on canvas, 39.4 x 44.5 cm Frick Collection, New York Music-making, a recurring subject in Vermeer’s interior scenes, was associated in the seventeenth century with courtship. In…
Vermeer, Jan (1632-1675) The Concert (Het concert) 1663–1666 Oil on canvas, 72.5 x 64.7 cm Isabella Stewart Gardner Museum, Boston In a pristine domestic parlor, two women and a man concentrate on making music. The standing woman holds a sheet of…
Vermeer, Jan (1632-1675) Diana and her nymphs (Diana en haar Nimfen) c.1653–1654 Oil on canvas, 97.8 x 104.6 cm Mauritshuis, The Hague Signed lower left, on the rock, between the dog and the thistle: JVMeer VM in ligature Vermeer is best…
Vermeer, Jan (1632-1675) Mistress and Maid (Dame en dienstbode) c.1666–1667 Oil on canvas, 90.2 x 78.7 cm Frick Collection, New York Vermeer chose a large canvas for this composition, which presents two women pondering a newly arrived letter. Depicting an interior…
Vermeer, Jan (1632-1675) The Lacemaker (De kantwerkster) 1669–1670 Oil on canvas transferred to panel, 24 x 21 cm Musée du Louvre, Paris The motif of the lacemaker at work is traditionally a sign of domestic virtue, tinged with religious moralism (the…
Vermeer, Jan (1632-1675) Christ in the House of Martha and Mary (Christus in het huis van Martha en Maria) 1654–1656 Oil on canvas, 158.5 x 141.5 cm Scottish National Gallery, Edinburgh