Renoir, Pierre-Auguste (1841-1919) La Famille Henriot (Henriot Family) c.1875 Oil on canvas, 115.6 x 164.1 cm Barnes Foundation, Philadelphia Daytrips to the countryside around Paris became a popular form of leisure during the late 19th century. Renoir alludes to this kind…
De Chirico, Giorgio (1888-1978) La conquista del filosofo (The Philosopher’s Conquest) 1913–1914 Oil on canvas, 125.1 × 99.1 cm Art Institute of Chicago, Chicago The work of Giorgio de Chirico represents an unexpected form of classicism in early avant-garde painting. This…
Turner, Joseph Mallord William (1775-1851) Fishing Boats with Hucksters Bargaining for Fish 1837–1838 Oil on canvas, 174.5 × 224.9 cm Art Institute of Chicago, Chicago In this massive painting, celebrated British landscape artist Joseph Mallord William Turner pursued a theme of…
Whistler, James Abbott McNeill (1834-1903) Nocturne: Blue and Gold—Southampton Water 1872 Oil on canvas, 51 × 76.7 cm Art Institute of Chicago, Chicago In the early 1870s James McNeill Whistler took a radical step toward abstraction with his Nocturnes series. In…
Munch, Edvard (1863-1944) The Girl by the Window 1893 Oil on canvas, 96.5 × 65.4 cm Art Institute of Chicago, Chicago Edvard Munch’s life and art — particularly his iconic work The Scream (1893; National Museum, Oslo) — have come to epitomize modern notions of…
Zurbarán, Francisco de (1598-1664) La crucifixión (The Crucifixion) 1627 Oil on canvas, 290.3 × 165.5 cm Art Institute of Chicago, Chicago Beginning in the mid-sixteenth century, the Roman Catholic Church clarified and reaffirmed its doctrine and practices in an effort to…
Dalí, Salvador (1904-1989) L’invention des monstres (Invention of the monsters) 1937 Oil on canvas, 51.4 x 78.1 cm Art Institute of Chicago, Chicago © Salvador Dalí, Fundació Gala-Salvador Dalí / Artists Rights Society (ARS), New York, 2018 Salvador Dalí, Surrealism’s most…
Cézanne, Paul (1839-1906) Le panier de pommes (The Basket of Apples) c.1893 Oil on canvas, 65 × 80 cm Art Institute of Chicago, Chicago Art, Paul Cézanne once claimed, is “a harmony running parallel to nature,” not an imitation of nature.…
Monet, Claude (1840-1926) Meules de blé, fin de l’été (Stacks of Wheat, End of Summer) 1890–1891 Oil on canvas, 60 × 100.5 cm Art Institute of Chicago, Chicago The monumental stacks that Claude Monet depicted in his series Stacks of Wheat…
Corot, Jean-Baptiste-Camille (1796-1875) Le Palais des Papes à Avignon (The Palace of the Popes in Avignon) 1836 Oil on paper pasted on canvas, 29 x 22 cm Nationalgalleriet, Oslo See also: • Avignon (France)