Waterhouse, John William (1849-1917) ‘I am half sick of shadows,’ said The Lady of Shalott (Alfred, Lord Tennyson, The Lady of Shalott, Part II) 1915 Oil on canvas, 100.3 x 73.7 cm Art Gallery of Ontario, Toronto See also: • Tennyson, Alfred (1809-1892)
Renoir, Pierre-Auguste (1841-1919) La Sortie du conservatoire (Leaving the Conservatory) 1876–1877 Oil on canvas, 187.5 x 117.5 cm Barnes Foundation, Philadelphia Renoir uses subtle body language to convey the flirtatious exchanges among a group of young Parisians gathered outside a music…
Courbet, Gustave (1819-1877) La Femme aux bas blancs (Woman with White Stockings) 1864 Oil on canvas, 65 x 81 cm Barnes Foundation, Philadelphia Traditionally, European painters made the nude subject decorous by presenting it as part of an edifying mythological narrative.…
Goya, Francisco de (1746-1828) Retrato de Asensio Julià (Portrait of Asensio Julià) c.1798 Oil on canvas, 54.5 x 41 cm Museo Thyssen-Bornemisza, Madrid The inscription in the bottom left corner of the painting reads: Goya to his friend Asensi. This dedication and…
Fragonard, Jean-Honoré (1732-1806) La Bascule (The See-Saw) c.1750–1752 Oil on canvas, 120 x 94.5 cm Museo Thyssen-Bornemisza, Madrid This canvas forms the pair to a painting in the Toledo Museum of Art entitled Blind Man’s Buff (Le Colin-Maillard). Both were in…
Delacroix, Eugène (1798-1863) Le duc d’Orléans montrant sa maîtresse (The Duke of Orleans showing his Lover) c.1825–1826 Oil on canvas, 35 x 25.5 cm Museo Thyssen-Bornemisza, Madrid This signed canvas by Delacroix depicting a literary subject has been dated to around…
Cézanne, Paul (1839-1906) Homme assis (Seated Man) 1905–1906 Oil on canvas, 64.8 x 54.6 cm Museo Thyssen-Bornemisza, Madrid This canvas is one of a set of plein-air paintings produced by Cézanne in Aix-en-Provence towards the end of his life. In it,…