Tag: signature

Le repas du lion (c.1907)

Rousseau, Henri (1844-1910) Le repas du lion (The Repast of the Lion) c.1907 Oil on canvas, 113.7 x 160 cm Metropolitan Museum of Art, New York This work was probably shown in the Salon d’Automne of 1907, but it treats a theme…

Woman with a Pearl Necklace (1663-1665)

Vermeer, Jan (1632-1675) Woman with a Pearl Necklace (Vrouw met parelsnoer) 1663–1665 Oil on canvas, 56.1 x 47.4 cm Gemäldegalerie, Berlin SIGNATURE / INSCRIPTION: Inscription on the table top: IVMeer (IVM in ligature) A young woman stands at a table and…

Woman Writing a Letter, with her Maid (c.1670)

Vermeer, Jan (1632-1675) Woman Writing a Letter, with her Maid (Schrijvende vrouw met dienstbode) c.1670 Oil on canvas, 71.1 x 60.5 cm National Gallery of Ireland, Dublin Considered one of the principal Dutch painters, Vermeer specialised in genre scenes, many of…

A Young Woman Standing at a Virginal (c.1670-1672)

Vermeer, Jan (1632-1675) A Young Woman Standing at a Virginal (Staande Virginaalspeelster) c.1670–1672 Oil on canvas, 51.7 x 45.2 cm National Gallery, London A young woman standing at a keyboard holds our eye with a direct gaze. Suffused in the light…

A Young Woman Seated at a Virginal (c.1670-1672)

Vermeer, Jan (1632-1675) A Young Woman Seated at a Virginal (Zittende virginaalspeelster) c.1670–1672 Oil on canvas, 51.5 x 45.5 cm National Gallery, London A colourful hanging tapestry has been swept to one side to reveal a young woman seated at a…

The Astronomer (1668)

Vermeer, Jan (1632-1675) The Astronomer (De astronoom) 1668 Oil on canvas 51 x 45 cm Musée du Louvre, Paris Celestial globe by J. Hondius (1600) and astronomy manual by Metius (1621) opening to the chapter devoted to the stars, with engraving…

The Lacemaker (1669-1670)

Vermeer, Jan (1632-1675) The Lacemaker (De kantwerkster) 1669–1670 Oil on canvas transferred to panel, 24 x 21 cm Musée du Louvre, Paris The motif of the lacemaker at work is traditionally a sign of domestic virtue, tinged with religious moralism (the…