Tag: signature

Marine à Sainte-Adresse (1865)

Bazille, Frédéric (1841-1870) Marine à Sainte-Adresse (Beach at Sainte-Adresse) 1865 Oil on canvas, 58.4 x 140 cm High Museum of Art, Atlanta On a windy, overcast day on the northern coast of France, fishing boats ply the choppy waters. In this unsentimental…

Mauresque (1869)

Bazille, Frédéric (1841-1870) Mauresque (Woman in a Moorish Costume) 1869 Oil on canvas, 99.7 x 59 cm Norton Simon Museum, Pasadena Lise Tréhot, Renoir’s first mistress, model, and muse, is here depicted with quiet eroticism by that artist’s friend and colleague, Bazille.…

Nature morte au héron (1867)

Bazille, Frédéric (1841-1870) Nature morte au héron (Still Life with Heron) 1867 Oil on canvas, 98 x 78 cm Musée Fabre, Montpellier The classic theme of the hunting trophy, revisited in their time by Impressionist painters, was the subject of joint workshop…

Jeune femme aux pivoines (1870)

Bazille, Frédéric (1841-1870) Jeune femme aux pivoines (Young Woman with Peonies) 1870 Oil on canvas, 60.3 x 75.5 cm National Gallery of Art, Washington Holding a bunch of peonies in one hand, a woman with brown skin leans forward, toward us from…

Les remparts d’Aigues-Mortes (1867)

Bazille, Frédéric (1841-1870) Les remparts d’Aigues-Mortes (The Ramparts at Aigues-Mortes) 1867 Oil on canvas, 60 x 100 cm National Gallery of Art, Washington From a sandy beach, we look across a sun-drenched body of water enclosed by a long, sand-colored, crenelated wall…

Vue de village (1868)

Bazille, Frédéric (1841-1870) Vue de village (View of the Village) 1868 Oil on canvas, 137.5 x 85.5 cm Musée Fabre, Montpellier Produced in Montpellier on the family property of Mas Méric overlooking the Lez and the village of Castelnau, the Village View…

La robe rose (1864)

Bazille, Frédéric (1841-1870) La robe rose (The Pink Dress) 1864 Oil on canvas, 110 x 148 cm Musée d’Orsay, Paris See also: • Des Hours, Thérèse

La Toilette (1870)

Bazille, Frédéric (1841-1870) La Toilette 1870 Oil on canvas, 130 x 128 cm Musée Fabre, Montpellier Inspired by the orientalist imagination as well as the biblical universe, the painting depicts a modern Bathsheba being prepared by two servants for nuptial union. This…