Tag: signature

Les lauriers roses (1867)

Bazille, Frédéric (1841-1870) Les lauriers roses (The Terrace at Méric) 1867 Oil on canvas, 55.2 x 91.4 cm Cincinnati Art Museum, Cincinnati See also: • Castelnau-le-Lez (France) | Des Hours, Thérèse

Fleurs (1868)

Bazille, Frédéric (1841-1870) Fleurs (Flowers) 1868 Oil on canvas, 130 x 97 cm Musée de Grenoble, Grenoble Coming from a large Protestant family in Montpellier, Frédéric Bazille was destined for a career as a doctor. However, in 1862 he entered Gleyre’s studio…

Les remparts d’Aigues-Mortes (1867)

Bazille, Frédéric (1841-1870) Les remparts d’Aigues-Mortes (The Ramparts at Aigues-Mortes) 1867 Oil on canvas, 46 x 75.50 cm Musée Fabre, Montpellier Although he never painted the coastline, Bazille was fascinated by the play of light and water, to which he devoted most…

Paysage à Chailly (1865)

Bazille, Frédéric (1841-1870) Paysage à Chailly (Landscape at Chailly) 1865 Oil on canvas, 81 x 100.3 cm Art Institute of Chicago, Chicago See also: • Chailly-en-Bière (France)

Marine à Sainte-Adresse (1865)

Bazille, Frédéric (1841-1870) Marine à Sainte-Adresse (Beach at Sainte-Adresse) 1865 Oil on canvas, 58.4 x 140 cm High Museum of Art, Atlanta On a windy, overcast day on the northern coast of France, fishing boats ply the choppy waters. In this unsentimental…

Mauresque (1869)

Bazille, Frédéric (1841-1870) Mauresque (Woman in a Moorish Costume) 1869 Oil on canvas, 99.7 x 59 cm Norton Simon Museum, Pasadena Lise Tréhot, Renoir’s first mistress, model, and muse, is here depicted with quiet eroticism by that artist’s friend and colleague, Bazille.…

Nature morte au héron (1867)

Bazille, Frédéric (1841-1870) Nature morte au héron (Still Life with Heron) 1867 Oil on canvas, 98 x 78 cm Musée Fabre, Montpellier The classic theme of the hunting trophy, revisited in their time by Impressionist painters, was the subject of joint workshop…

Jeune femme aux pivoines (1870)

Bazille, Frédéric (1841-1870) Jeune femme aux pivoines (Young Woman with Peonies) 1870 Oil on canvas, 60.3 x 75.5 cm National Gallery of Art, Washington Holding a bunch of peonies in one hand, a woman with brown skin leans forward, toward us from…

Les remparts d’Aigues-Mortes (1867)

Bazille, Frédéric (1841-1870) Les remparts d’Aigues-Mortes (The Ramparts at Aigues-Mortes) 1867 Oil on canvas, 60 x 100 cm National Gallery of Art, Washington From a sandy beach, we look across a sun-drenched body of water enclosed by a long, sand-colored, crenelated wall…