Signac, Paul (1863-1935) Saint Tropez, France 1899 Lithograph, 43 x 32.6 cm Princeton University Art Museum, Princeton See also: • Saint-Tropez (France)
Saint Tropez, France (1899)
Tag: signature
Natura morta (s.d.)
Severini, Gino (1883-1966) Natura morta (Still Life) s.d. Lithograph; color, 56 x 39.1 cm Princeton University Art Museum, Princeton © Gino Severini / Artists Rights Society (ARS), New York / ADAGP, Paris
Profile Bust of Fanny Cornforth (1865)
Rossetti, Dante Gabriel (1828-1882) Profile Bust of Fanny Conforth 1865 Soft graphite, 33.1 x 26.7 cm Princeton University Art Museum, Princeton See also: • Cornforth, Fanny (1835-1909)
Head of a girl (s.d.)
Waterhouse, John William (1849-1917) Head of a girl s.d. Black chalk, 33.9 x 26.1 cm Princeton University Art Museum, Princeton
La Danaïde (1880s)
Rodin, Auguste (1840-1917) La Danaïde (Danaid) 1880s, carved 1903–1904 Marble, 23 x 40 x 26 cm Princeton University Art Museum, Princeton The Danaids of Greek mythology were the fifty daughters of Danaus; married to a group of brothers, they murdered their…
Il Poeta (c.1620-1621)
Ribera, Jusepe de (1591-1652) Il Poeta (The Poet) c.1620–1621 Etching, 15.8 x 12.1 cm Princeton University Art Museum, Princeton Ribera produced a small but distinctive group of sixteen etchings, most during a short span in the 1620s. Etching was then undergoing…
Saskia with Pearls in her Hair (1634)
Rembrandt (1606-1669) Saskia with Pearls in her Hair 1634 Etching, 7.9 x 6.5 cm Princeton University Art Museum, Princeton See also: • Uylenburgh, Saskia van (1612-1642)
Self portrait with Saskia (1636)
Rembrandt (1606-1669) Self portrait with Saskia 1636 Etching, 10.4 x 9.5 cm Princeton University Art Museum, Princeton Rembrandt painted, etched, and drew more than seventy-five self-portraits. A few of these include his first wife, Saskia van Uylenburgh, whom he married in…
Apparition (1905-1910)
Redon, Odilon (1840-1916) Apparition 1905–1910 Oil on canvas, 65 x 50 cm Princeton University Art Museum, Princeton During the 1890s, Redon shifted his attention from charcoal drawing and lithography to a practice that embraced color, working in pastels and oil paints.…
Le Berger (1887)
Puvis de Chavannes, Pierre (1824-1898) Le Berger (The Shepherd) 1887 Pastel on paper, 60 x 41 cm Musée d’Orsay, Paris Compare: Puvis de Chavannes, Pierre (1824-1898) Le fils prodigue 1879 Princeton University Art Museum, Princeton Puvis de Chavannes, Pierre (1824-1898) Le fils prodigue…