Burne-Jones, Edward (1833-1898) Nymphs of the Moon 1896 Tempera on paper, 32.8 x 24.8 cm National Museum Wales, Cardiff
Nymphs of the Moon (1896)
Tag: signature
Derrière le miroir (1950)
Chagall, Marc (1887-1985) Derrière le miroir (Behind the Mirror) 1950 Lithograph on paper, 37.7 x 27.6 cm Toledo Museum of Art, Toledo
Nature morte (1867)
Pissarro, Camille (1830-1903) Nature morte (Still Life) 1867 Oil on canvas, 81 x 99.7 cm Toledo Museum of Art, Toledo “Don’t bother trying to look for something new: you won’t find novelty in the subject matter, but in the way you…
Rue de Tahiti (1891)
Gauguin, Paul (1848-1903) Rue de Tahiti (Street in Tahiti) 1891 Oil on canvas, 115.6 × 88.6 cm Toledo Museum of Art, Toledo The vibrant colors of Paul Gauguin’s painting express his intense reaction to the mysteries of the “new Eden” that…
Dans le jardin de Maurecourt (1884)
Morisot, Berthe (1841-1895) Dans le jardin de Maurecourt (In the Garden at Maurecourt) 1884 Oil on canvas, 54 x 65.1 cm Toledo Museum of Art, Toledo Painted in oil paints with the freedom and spontaneity of a watercolor sketch, In the…
Antibes vu de la Salis (1888)
Monet, Claude (1840-1926) Antibes vu de la Salis (Antibes Seen from La Salis) 1888 Oil on canvas, 73.3 × 92.1 cm Toledo Museum of Art, Toledo The shimmering light of mid-afternoon infuses Claude Monet’s painting of the old fortified coastal town…
Les toits du Vieux Rouen, temps gris (1896)
Pissarro, Camille (1830-1903) Les toits du Vieux Rouen, temps gris (The Roofs of Old Rouen, Gray Weather) 1896 Oil on canvas, 72.3 × 91.4 cm Toledo Museum of Art, Toledo Camille Pissarro was suffering from a chronic eye infection that kept him…
Route à Wargemont (1879)
Renoir, Pierre-Auguste (1841-1919) Route à Wargemont (Road at Wargemont) 1879 Oil on canvas, 80.6 x 100 cm Toledo Museum of Art, Toledo Liquid colors in glowing, gem-like tones glide into each other, blurring contours, in one of Pierre-Auguste Renoir’s most remarkable…
Perseus and Andromeda (1875)
Burne-Jones, Edward (1833-1898) Perseus and Andromeda (study for The Doom Fulfilled) 1875 Gouache with gold paint on board, 33 x 30.3 cm Art Institute of Chicago, Chicago Compare: Burne-Jones, Edward (1833-1898) The Doom Fulfilled 1888 Staatsgalerie, Stuttgart
The Love Song (1868-1877)
Burne-Jones, Edward (1833-1898) The Love Song 1868–1877 Oil on canvas, 114.3 x 155.9 cm Metropolitan Museum of Art, New York Burne-Jones associated this painting with a refrain from a French folk ballad: “Alas, I know a love song, / Sad or…