Lairesse, Gérard de (1641-1711) Battle of Centaurs and Lapiths 17th century Oil on canvas, 44 cm x 51.5 cm Museo Nacional de Bellas Artes, Buenos Aires
Goya, Francisco de (1746-1828) Aparición de San Isidoro al Rey Fernando el Santo ante los muros de Sevilla (Apparition of Saint Isodoro to Saint King Fernando in front of the walls of Seville) 1798–1800 Oil on canvas, 36.3 x 40.1…
Giorgione (c.1477-1510) La Tempesta (The Tempest) c.1503–1509 Oil on canvas, 73 x 82 cm Gallerie dell’Accademia, Venezia Attested as part of Gabriele Vendramin’s collection by Marcantonio Michiel in 1530 and later in the sixteenth and seventeenth-century family inventories, The Tempest…
Rembrandt (1606-1669) The Resurrection c.1635–1639 Oil on canvas, transferred to oak wood, 91.9 x 67 cm Alte Pinakothek, Munich The so-called ‘Passion Cycle’ was painted for the stadtholder of the United Provinces of the Netherlands, Prince Frederik Hendrik of Orange. The…
Rembrandt (1606-1669) The Entombment c.1635–1639 Oil on canvas, 92.5 x 68.9 cm Alte Pinakothek, Munich The so-called ‘Passion Cycle’ was painted for the stadtholder of the United Provinces of the Netherlands, Prince Frederik Hendrik of Orange. The six paintings however do…
Rembrandt (1606-1669) The Raising of the Cross c.1633 Oil on canvas, 96.2 x 72.2 cm Alte Pinakothek, Munich The so-called ‘Passion Cycle’ was painted for the stadtholder of the United Provinces of the Netherlands, Prince Frederik Hendrik of Orange. The six…
Rembrandt (1606-1669) The Woman taken in Adultery 1644 Oil on oak, 83.8 x 65.4 cm National Gallery, London A woman kneels and weeps. Darkness like a great cavern surrounds her. A shaft of light picks her out on the stone…
Rembrandt (1606-1669) The Lamentation over the Dead Christ c.1635 Oil on paper and pieces of canvas, mounted onto oak, 31.9 x 26.7 cm National Gallery, London Christ’s body has just been taken down from the Cross, and his family and…
Rembrandt (1606-1669) Ecce Homo 1634 Oil on paper mounted onto canvas, 54.5 x 44.5 cm National Gallery, London ‘Ecce Homo’, the Latin title of this painting, is taken from the Bible, and means ‘Behold the man!’ These were the words…