Tag: standing

Innocence (1898)

Bouguereau, William-Adolphe (1825-1905) Innocence 1898 Oil on canvas, 93.3 x 58 cm Manchester Art Gallery, Manchester

La Proposition embarrassante (1715-1716)

Watteau, Antoine (1684-1721) La Proposition embarrassante (Embarrasing Proposal) 1715–1716 Oil on canvas, 65 × 84.5 cm Hermitage Museum, Saint Petersburg Watteau was the first 18th-century French artist to create something totally new in his work, something previously unknown, in despite of the…

Le Savoyard et la Marmotte (1716)

Watteau, Antoine (1684-1721) Le Savoyard et la Marmotte (Savoyard with a Marmot) 1716 Oil on canvas, 40.5 × 32.5 cm Hermitage Museum, Saint Petersburg Antoine Watteau was one of the most brilliant artists of the early 18th century. His work gave rise…

Fêtes Vénitiennes (1718-1719)

Watteau, Antoine (1684-1721) Fêtes Vénitiennes (Venetian Festivals) 1718–1719 Oil on canvas, 56.3 × 46.2 cm Scottish National Gallery, Edinburgh This is a very fine example of the ‘fêtes galantes’ perfected by Watteau. He included himself as the seated musician playing a musette.…

Portrait of Millicent, Duchess of Sutherland (1904)

Sargent, John Singer (1856-1925) Portrait of Millicent, Duchess of Sutherland 1904 Oil on canvas, 254 x 146 cm Museo Thyssen-Bornemisza, Madrid John Singer Sargent lived in Paris until 1886. He studied with the painter Carolus Duran and made friends with a…

Portrait of a Man (early 1650s)

Hals, Frans (c.1582-1666) Portrait of a Man early 1650s Oil on canvas, 110.5 x 86.4 cm Metropolitan Museum of Art, New York In this canvas of the early 1650s, the figure’s pose follows a pattern Hals employed twenty years earlier, but here…

Portrait of a Woman (c.1648)

Hals, Frans (c.1582-1666) Portrait of a Woman c.1648 Oil on canvas, 108 x 80 cm Musée du Louvre, Paris Dated around 1648 and perhaps, according to Grimm, a work by Jan Hals, in comparison with the latter’s Portrait of a Lady,…