Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…
Rubens, Peter Paul (1577-1640) Portrait of a Young Woman with a Rosary c.1609–1610 Oil on panel, 107 x 76.7 cm Museo Thyssen-Bornemisza, Madrid This portrait of an unidentified female sitter can be dated to between 1609 and 1610 when Rubens was…
Rubens, Peter Paul (1577-1640) Hélène Fourment putting on a glove c.1632 Oil on oak, 96.6 x 69 cm Alte Pinakothek, Munich When compared with the elaborate and imposing full-length portrait of Helene Fourment in the collection (inv. no. 340), the present…
Modigliani, Amedeo (1884-1920) La Jeune bonne (The Servant Girl) c.1918 Oil on canvas, 152.4 x 60.96 cm Buffalo AKG Art Museum, Buffalo Between 1915 and 1920, Amedeo Modigliani executed many portraits in a style characterized by sparse settings and figures rendered…
Morisot, Berthe (1841-1895) L’Enfant au tablier rouge (Child in a Red Apron) 1886 Oil on canvas, 60 x 49.9 cm Rhode Island School of Design, Providence
Rembrandt (1606-1669) A Scholar in His Study (‘Faust’) c.1652 Etching, engraving and drypoint, 20.9 x 16 cm Philadelphia Museum of Art, Philadelphia Compare: Rembrandt (1606-1669) Faust c.1652 Milwaukee Art Museum, Milwaukee
De Chirico, Giorgio (1888-1978) Il poeta e la sua musa (The Poet and His Muse) c.1925 Oil and tempera on canvas, 91.1 x 73.7 cm Philadelphia Museum of Art, Philadelphia
Michelangelo (1475-1564) Studio di un uomo nudo, in piedi (Study of a naked man, standing) c.1524 Black stone, on red chalk lines, traces of incision with a stylus, 38.5 x 24 cm Musée du Louvre, Paris Project for one of the…
Gainsborough, Thomas (1727-1788) Portrait of Margaret Gainsborough 1778 Oil on canvas, 76.6 x 63.8 cm Courtauld Institute of Art, London See also: • Burr, Margaret (1728-1798)