Tag: standing

San Paolo (1604-1606)

Carracci, Annibale (1560-1609) San Paolo (Saint Paul) 1604–1606 Fresco transferred to canvas Museu Nacional d’Art de Catalunya, Barcelona Mural Paintings from the Herrera Chapel.

Jane Seymour (c.1636-1637)

Holbein, Hans the Younger (c.1497-1543) Jane Seymour c.1636–1637 Oil on oak, 65.5 × 47 cm Kunsthistorisches Museum, Vienna See also: • Jane Seymour, Queen of England (c.1508-1537)

Infanta Margarita Teresa con vestido rosa (1654)

Velázquez, Diego (1599-1660) Infanta Margarita Teresa con vestido rosa (Infanta Margarita Teresa in pink dress) 1654 Oil on canvas, 128 × 99.6 × 3.2 cm Kunsthistorisches Museum, Vienna See also: • Margarita Teresa de Austria, Holy Roman Empress (1651-1673)

Hélène Fourment (c.1636-1638)

Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…

Hélène Fourment putting on a glove (c.1632)

Rubens, Peter Paul (1577-1640) Hélène Fourment putting on a glove c.1632 Oil on oak, 96.6 x 69 cm Alte Pinakothek, Munich When compared with the elaborate and imposing full-length portrait of Helene Fourment in the collection (inv. no. 340), the present…

La Jeune bonne (c.1918)

Modigliani, Amedeo (1884-1920) La Jeune bonne (The Servant Girl) c.1918 Oil on canvas, 152.4 x 60.96 cm Buffalo AKG Art Museum, Buffalo Between 1915 and 1920, Amedeo Modigliani executed many portraits in a style characterized by sparse settings and figures rendered…

A Scholar in His Study (c.1652)

Rembrandt (1606-1669) A Scholar in His Study (‘Faust’) c.1652 Etching, engraving and drypoint, 20.9 x 16 cm Philadelphia Museum of Art, Philadelphia Compare: Rembrandt (1606-1669) Faust c.1652 Milwaukee Art Museum, Milwaukee