Poussin, Nicolas (1594-1665) Paysage avec un homme tué par un serpent (Landscape with a Man killed by a Snake) probably 1648 Oil on canvas, 118.2 x 197.8 cm National Gallery, London A man has been crushed by a snake and lies…
Hunt, William Holman (1827-1910) The golden prime of good Haroun Alraschid 1863 Watercolour on vellum, 10.2 x 12.7 cm National Museum Wales, Cardiff See also: • Tennyson, Alfred (1809-1892)
Hunt, William Holman (1827-1910) Rienzi vowing to obtain Justice 1849 Oil on canvas, 83 x 117 cm National Gallery, London Cola di Rienzo vowing to obtain justice for the death of his young brother, slain in a skirmish between the Colonna…
Turner, Joseph Mallord William (1775-1851) London from Greenwich Park exhibited 1809 Oil on canvas, 90.2 x 120 cm Tate Britain, London Like the view from Richmond Hill, that upstream towards the City from Greenwich Park is one of the most prized…
Turner, Joseph Mallord William (1775-1851) London, from Greenwich 1811 Etching and mezzotint, 21.1 x 29.8 cm Princeton University Art Museum, Princeton This panoramic view is based on Joseph Mallord William Turner’s painting London from Greenwich Park (1809; Tate, London). The Queen’s…
Cocteau, Jean (1889-1963) La Tour (The Tower) 1959 Color lithograph on off-white wove paper, 52 x 45.5 cm Princeton University Art Museum, Princeton © Artists Rights Society (ARS), New York / ADAGP, Paris
Géricault, Théodore (1791-1824) Le Sommeil des Paysans (The Sleep of the Peasants) c.1808–1812 Oil on wood panel, 77.5 x 57.1 cm Princeton University Art Museum, Princeton Impatient with studio routine, Géricault spent four years teaching himself by copying paintings in the…
Chagall, Marc (1887-1985) Derrière le miroir (Behind the Mirror) 1950 Lithograph on paper, 37.7 x 27.6 cm Toledo Museum of Art, Toledo
Burne-Jones, Edward (1833-1898) The Love Song 1868–1877 Oil on canvas, 114.3 x 155.9 cm Metropolitan Museum of Art, New York Burne-Jones associated this painting with a refrain from a French folk ballad: “Alas, I know a love song, / Sad or…
Whistler, James Abbott McNeill (1834-1903) Nocturne: blue and gold, St. Mark’s, Venice 1880 Oil on canvas, 75.4 x 90.5 cm National Museum Wales, Cardiff Following his bankruptcy in 1879, Whistler spent a year in Venice where he concentrated on etchings and…