Renoir, Pierre-Auguste (1841-1919) Le Pont Neuf à Paris 1872 Oil on canvas, 75.3 x 93.7 cm National Gallery of Art, Washington While his figure paintings are better known, Renoir‘s landscapes resonate with a vigor and freshness of vision central to…
Renoir, Pierre-Auguste (1841-1919) Rameurs à Chatou (Oarsmen at Chatou) 1879 Oil on canvas, 81.2 x 100.2 cm National Gallery of Art, Washington Close to us, a woman and two men stand on a grassy riverbank looking out at the expanse…
Renoir, Pierre-Auguste (1841-1919) L’odalisque (Odalisque) 1870 Oil on canvas, 69.2 x 122.6 cm National Gallery of Art, Washington A woman wearing a sheer white blouse, short red and gold vest, and full-legged, patterned pants cinched below the knee lies back…
Renoir, Pierre-Auguste (1841-1919) Personnages cueillant des fleurs (Picking Flowers) 1875 Oil on canvas, 54.3 x 65.2 cm National Gallery of Art, Washington A light-skinned man and woman stand looking at each other, surrounded by blooming flowers and lush green trees…
Renoir, Pierre-Auguste (1841-1919) Pierre-Henri Renoir 1870 Oil on canvas, 81 x 64.1 cm Private collection Companion: Renoir, Auguste (1841-1919) Madame Pierre Henri Renoir 1870 Fogg Museum, Cambridge See also: • Renoir, Pierre Henri (1832-1903)
Cézanne, Paul (1839-1906) Victor Chocquet assis (Victor Chocquet Seated) c.1877 Oil on canvas, 45.7 × 38.1 cm Columbus Museum of Art, Columbus See also: • Chocquet, Victor (1821-1891)
Manet, Édouard (1832-1883) Portrait d’Antonin Proust (Portrait of Antonin Proust) 1881 Oil on canvas, 183 x 110.5 cm Musée Fabre, Montpellier Antonin Proust was a key figure in artistic life under the Third Republic. Born in Niort in 1832, he studied…
Renoir, Pierre-Auguste (1841-1919) Portrait d’Alfred Sisley (Portrait of Alfred Sisley) 1864 Oil on canvas, 81 x 65 cm Bührle Collection, Zürich See also: • Sisley, Alfred (1839-1899)
Manet, Édouard (1832-1883) Émile Zola 1868 Oil on canvas, 146 x 114 cm Musée d’Orsay, Paris Emile Zola, Cézanne‘s boyhood friend, showed an early interest in painting. He was particularly interested in the artists rejected by the official critics. In 1866,…