Van Dyck, Anthony (1599-1641) The Betrayal of Christ c.1618–1620 Oil on canvas, 265.6 x 221.6 cm Bristol Museum & Art Gallery, Bristol Compare: Van Dyck, Anthony (1599-1641) Betrayal of Christ c.1618–1620 Minneapolis Institute of Art, Minneapolis
Constable, John (1776-1837) Study of the Trunk of an Elm Tree c.1821 Oil on paper, 30.6 × 24.8 cm Victoria and Albert Museum, London Constable probably painted this remarkable sketch in Hampstead. It is so realistic that it has an almost…
Gainsborough, Thomas (1727-1788) View in Suffolk c.1755 Oil on canvas, 95.9 x 125.4 cm Saint Louis Art Museum, St. Louis The sun-drenched river bank, an amorous couple, and a leisurely rider offer a variety of details that create an idyllic setting. This…
Bosch, Hieronymus (c.1450-1516) Death and the Miser c.1485–1490 Oil on panel, 93 x 31 cm National Gallery of Art, Washington A naked man with ghostly white skin sits upright in a canopied bed set in a narrow room in this tall,…
Lotto, Lorenzo (1480-1557) Allegoria della Virtù e del Vizio (Allegory of Virtue and Vice) 1505 Oil on panel, 56.5 x 42.2 cm National Gallery of Art, Washington Set on a strip of land under a cloud-filled sky and in front of…
Guercino (1591-1666) San Sebastiano (Saint Sebastian) 1653 Oil on canvas, 253 x 169 cm Galleria Palatina, Palazzo Pitti, Firenze Work of the Bolognese school artist Giovanni Francesco Barbieri, known as Guercino, the painting depicts St Sebastian, officer of the Praetorian Guard of…
Uccello, Paolo (1397-1475) Caccia notturna (The Hunt in the Forest) c.1465–1470 Tempera and oil, with traces of gold, on panel, 73.3 x 177 cm Ashmolean Museum, Oxford
Ingres, Jean Auguste Dominique (1780-1867) La Vénus couchée d’Urbino, d’après le Titien (Reclining Venus of Urbino, after Titian) 1822 Oil on canvas, 116 x 168 cm Walters Art Museum, Baltimore Compare: Tiziano (c.1488-1576) Venere di Urbino 1538 Galleria degli Uffizi, Firenze
Bruegel the Elder, Pieter (c.1525-1569) The Rabbit Hunt 1560 Etching, 22.1 x 29 cm Cleveland Museum of Art, Cleveland In this etching considered the artist’s only autograph print, Pieter Bruegel the Elder replicated the graphic vocabulary of dots and dashes of…
Seurat, Georges (1859-1891) Herbeux berge de rivière (Grassy Riverbank) 1881–1882 Oil on canvas, 32.7 × 40.64 cm Dallas Museum of Art, Dallas In 1881 and 1882, Georges Seurat spent hours along the shores of the River Seine, northwest of Paris.…