Van Dyck, Anthony (1599-1641) A Genoese Lady with Her Child c.1623–1625 Oil on canvas, 217.8 x 146 cm Cleveland Museum of Art, Cleveland This portrait was a departure from the painting style popular at this time, focusing less on a demonstrative…
(1563–1639) Orazio Lomi Gentileschi The artist’s works: Cristo che porta la croce c.1605–1607 Kunsthistorisches Museum, Vienna San Francesco sorretto dall’angelo c.1607 Museo del Prado, Madrid Giovane donna col violino c.1612 Detroit Institute of Arts, Detroit Riposo nella fuga in Egitto c.1620 National Gallery, London…
Van Dyck, Anthony (1599-1641) The Mocking of Christ 1628–1630 Oil on canvas, 112 x 93 cm Princeton University Art Museum, Princeton The most brilliant of Peter Paul Rubens’s assistants, Van Dyck left Antwerp to pursue his career in London and Genoa.…
Van Dyck, Anthony (1599-1641) Portrait of a man, bust length c.1625 Oil on canvas, 65.5 x 56 cm National Museum Wales, Cardiff
Van Dyck, Anthony (1599-1641) The Resurrection c.1631–1632 Oil on canvas, 113.7 x 94.3 cm Wadsworth Atheneum, Hartford
(1600–1649) King of England (1625–1649) King of Ireland (1625–1649) King of Scotland (1625–1649) Charles I in Art: Millais, John Everett (1829-1896) Charles I and his Son in the Studio of Van Dyck 1849 Tate Britain, London Rubens, Peter Paul (1577-1640) The…
Van Dyck, Anthony (1599-1641) Betrayal of Christ c.1618–1620 Oil on canvas, 141.92 x 113.3 cm Minneapolis Institute of Art, Minneapolis Looser and less formal than the portraits that made him famous, this work was completed shortly before Van Dyck began…
Van Dyck, Anthony (1599-1641) The Betrayal of Christ c.1618–1620 Oil on canvas, 265.6 x 221.6 cm Bristol Museum & Art Gallery, Bristol Compare: Van Dyck, Anthony (1599-1641) Betrayal of Christ c.1618–1620 Minneapolis Institute of Art, Minneapolis
Van Dyck, Anthony (1599-1641) Paris c.1628 Oil on canvas, 96 x 84 cm Wallace Collection, London
Van Dyck, Anthony (1599-1641) Saint John the Evangelist c.1620 Oil on oak, 64 × 51 cm Museum of Fine Arts, Budapest