Tag: veil

Ester e Assuero (1620s)

Gentileschi, Artemisia (1593-c.1653) Ester e Assuero (Esther before Ahasuerus) 1620s Oil on canvas, 208.3 × 273.7 cm Metropolitan Museum of Art, New York The most famous woman painter of the seventeenth century, Gentileschi worked in Rome, Florence, Venice, and Naples. This…

Matrimonio mistico di santa Caterina (c.1527-1529)

Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1529 Oil on wood, 73 x 58 cm Private collection Compare: Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1527–1531 National Gallery, London     Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1529…

Matrimonio mistico di santa Caterina (c.1527-1531)

Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1531 Oil on wood, 74.2 x 57.2 cm National Gallery, London The infant Christ turns to look back at his mother as he places a ring on Saint Catherine’s finger.…

Hélène Fourment (c.1636-1638)

Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…

Madonna delle ciliegie (c.1516-1518)

Tiziano (c.1488-1576) Madonna delle ciliegie (Cherry Madonna) c.1516–1518 Oil transferred from canvas to wood, 81.6 × 100.2 × 1.1 cm Kunsthistorisches Museum, Vienna On the left St. Joseph, on the right St. John the Boy and St. Zacharias. Similar to the…

Ninfa e pastore (c.1570-1575)

Tiziano (c.1488-1576) Ninfa e pastore (Nymph and shepherd) c.1570–1575 Oil on canvas, 149.6 × 187 cm Kunsthistorisches Museum, Vienna The theme on which the picture is based has not yet been satisfactorily clarified, but Titian raised it to the mythical level…

Hélène Fourment putting on a glove (c.1632)

Rubens, Peter Paul (1577-1640) Hélène Fourment putting on a glove c.1632 Oil on oak, 96.6 x 69 cm Alte Pinakothek, Munich When compared with the elaborate and imposing full-length portrait of Helene Fourment in the collection (inv. no. 340), the present…

Saskia

Flinck, Govert (1615-1660) Saskia s.d. Red chalk on laid paper, 16.6 x 11.9 cm National Gallery of Art, Washington See also: • Uylenburgh, Saskia van (1612-1642)

Le Berceau (1872)

Morisot, Berthe (1841-1895) Le Berceau (The cradle) 1872 Oil on canvas, 56 x 46.5 cm Musée d’Orsay, Paris See also: • Morisot, Edma (1839-1921)