Tag: veil

Annunciazione (early 1420s)

Uccello, Paolo (1397-1475) Annunciazione (The Annunciation) early 1420s Tempera and gilding on panel, 65 x 48 cm Ashmolean Museum, Oxford Attributed to Paolo Uccello (1397-1475)

Madonna col Bambino (c.1470-1475)

Ghirlandaio, Domenico (1448-1494) Madonna col Bambino (Madonna and Child) c.1470–1475 Tempera on panel transferred to hardboard, 70.8 x 48.9 cm National Gallery of Art, Washington Against a gold background, a blond woman is shown from the lap up, facing us as…

Madonna del Sacco (c.1500)

Perugino (c.1446-1523) Madonna del Sacco (Madonna and Child with the Infant Saint John the Baptist and an Angel) c.1500 Oil on wood, 86.4 x 83.3 cm Galleria Palatina, Palazzo Pitti, Firenze See also: • Fancelli, Chiara (c.1470-1541)

Maestà di Ognissanti (c.1300-1305)

Giotto (c.1267-1337) Maestà di Ognissanti (Majesty of All Saints, Madonna and Child Enthroned, Angels and Saints) c.1300–1305 Tempera on wood, gold background, 325 x 204 cm Galleria degli Uffizi, Firenze

Madonna col Bambino (c.1310-1315)

Giotto (c.1267-1337) Madonna col Bambino (Madonna and Child) c.1310–1315 Tempera on poplar panel, 85.4 × 61.8 cm National Gallery of Art, Washington A woman with pale skin holds a baby in the crook of her left arm, on our right, against…

L’Odalisque à l’esclave (1842)

Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave (Odalisque with a Slave) 1842 Oil on canvas, 76 x 105 cm Walters Art Museum, Baltimore This is a replica of the 1839 painting in the Fogg Museum, Cambridge. The landscape in the background was…

L’Odalisque à l’esclave (1839-1840)

Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave (Odalisque with a Slave) 1839–1840 Oil on canvas, 72.1 x 100.3 cm Fogg Museum, Cambridge, MA Compare: Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave 1842 Walters Art Museum, Baltimore    

Ester e Assuero (1620s)

Gentileschi, Artemisia (1593-c.1653) Ester e Assuero (Esther before Ahasuerus) 1620s Oil on canvas, 208.3 × 273.7 cm Metropolitan Museum of Art, New York The most famous woman painter of the seventeenth century, Gentileschi worked in Rome, Florence, Venice, and Naples. This…

Matrimonio mistico di santa Caterina (c.1527-1529)

Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1529 Oil on wood, 73 x 58 cm Private collection Compare: Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1527–1531 National Gallery, London     Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1529…