Perugino (c.1446-1523) Madonna del Sacco (Madonna and Child with the Infant Saint John the Baptist and an Angel) c.1500 Oil on wood, 86.4 x 83.3 cm Galleria Palatina, Palazzo Pitti, Firenze See also: • Fancelli, Chiara (c.1470-1541)
Giotto (c.1267-1337) Maestà di Ognissanti (Majesty of All Saints, Madonna and Child Enthroned, Angels and Saints) c.1300–1305 Tempera on wood, gold background, 325 x 204 cm Galleria degli Uffizi, Firenze
Giotto (c.1267-1337) Madonna col Bambino (Madonna and Child) c.1310–1315 Tempera on poplar panel, 85.4 × 61.8 cm National Gallery of Art, Washington A woman with pale skin holds a baby in the crook of her left arm, on our right, against…
Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave (Odalisque with a Slave) 1842 Oil on canvas, 76 x 105 cm Walters Art Museum, Baltimore This is a replica of the 1839 painting in the Fogg Museum, Cambridge. The landscape in the background was…
Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave (Odalisque with a Slave) 1839–1840 Oil on canvas, 72.1 x 100.3 cm Fogg Museum, Cambridge, MA Compare: Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave 1842 Walters Art Museum, Baltimore
Gentileschi, Artemisia (1593-c.1653) Ester e Assuero (Esther before Ahasuerus) 1620s Oil on canvas, 208.3 × 273.7 cm Metropolitan Museum of Art, New York The most famous woman painter of the seventeenth century, Gentileschi worked in Rome, Florence, Venice, and Naples. This…
Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1529 Oil on wood, 73 x 58 cm Private collection Compare: Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1527–1531 National Gallery, London Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1529…
Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1531 Oil on wood, 74.2 x 57.2 cm National Gallery, London The infant Christ turns to look back at his mother as he places a ring on Saint Catherine’s finger.…
Carracci, Annibale (1560-1609) Vergine orante (The Virgin at prayer) c.1582–1585 Oil on canvas, 62.3 x 41.6 cm Private collection
Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…