Bruegel the Elder, Pieter (c.1525-1569) The Land of Milk and Honey 1567 Oil on oak, 51.5 x 78.3 cm Alte Pinakothek, Munich The theme broached here is human wrongdoing that includes idleness and gluttony. It pervades all social classes, as shown…
Bruegel the Elder, Pieter (c.1525-1569) The Return of the Herd (Autumn, October-November) 1565 Oil on oak, 117 × 159.7 × 3 cm Kunsthistorisches Museum, Vienna Bruegel introduced to the art of painting the autumn motif of the returning herd, a subject…
Bruegel the Elder, Pieter (c.1525-1569) Gloomy Day (Early Spring / February-March) 1565 Oil on oak panel, 118 x 163 cm Kunsthistorisches Museum, Vienna The picture represents late winter or early spring with such seasonal activities as collecting wood and cutting willow…
Bruegel the Elder, Pieter (c.1525-1569) Parable of the Sower 1557 Oil on wood panel, 73.7 × 102.9 cm Timken Museum of Art, San Diego Pieter Bruegel the Elder took pleasure in burying the lead. Many of his mature works had lofty,…
Bruegel the Elder, Pieter (c.1525-1569) Netherlandish Proverbs 1559 Oil on oak panel, 117.2 x 163.8 cm Gemäldegalerie, Berlin SHELFMARK / INSCRIPTION: Reference lower right: BRVEGEL • 1559 The picture brings together 100 proverbs and places them in surroundings that are as…
Bruegel the Elder, Pieter (c.1525-1569) The Tower of Babel c.1568 Oil on panel, 59.9 x 74.6 cm Museum Boijmans Van Beuningen, Rotterdam In this famous painting Bruegel depicts the biblical story of man’s hubris and their desire to build a…
Bruegel the Elder, Pieter (c.1525-1569) The Tower of Babel 1563 Oil on oak, 114.4 × 155.5 × 3.8 cm Kunsthistorisches Museum, Vienna Designated at the bottom of a cuboid: BRVEGEL. FE. M.CCCCC.LXIII Bruegel’s monumental composition became the most famous, most often…
Bruegel the Elder, Pieter (c.1525-1569) Landscape with the Fall of Icarus c.1558 Oil on canvas, 73.5 x 112 cm Musées Royaux des Beaux-Arts de Belgique, Brussels
Leonardo da Vinci (1452-1519) La Gioconda (Monna Lisa) c.1503–1506 Oil on poplar, 79.4 x 53.4 cm Musée du Louvre, Paris A false identity problem It is only since the 20th century that certain historians, but more often amateurs in search of recognition,…