Botticelli, Sandro (c.1445-1510) Ritratto di giovane donna (Portrait of a Young Woman) c.1475–1480 Oil on poplar, 55.4 x 43 cm Gemäldegalerie, Berlin In the past, this portrait was considered to be that of Simonetta Vespucci, venerated by Giuliano de’ Medici, who died…
Botticelli, Sandro (c.1445-1510) L’Annunciazione (The Annunciation) c.1485 Tempera and gold on wood, 19.1 x 31.4 cm Metropolitan Museum of Art, New York One of the most celebrated paintings in the Robert Lehman Collection, this depiction of the Annunciation unfolds in a classicizing…
Antonello da Messina (c.1430-1479) San Gerolamo nello studio (Saint Jerome in his Study) c.1475 Oil on lime, 45.7 x 36.2 cm National Gallery, London Born in the fourth century, Saint Jerome was a scholar and a monk. His translation of the…
Antonello da Messina (c.1430-1479) San Sebastiano (St. Sebastian) c.1478 Oil on canvas transferred from wood, 171 x 85.5 cm Gemäldegalerie Alte Meister, Dresden Antonello da Messina set the martyrdom of St. Sebastian in Venice, as can be seen from the waterways…
Sisley, Alfred (1839-1899) Pont de Villeneuve-la-Garenne (The Bridge at Villeneuve-la-Garenne) 1872 Oil on canvas, 49.5 x 65.4 cm Metropolitan Museum of Art, New York Recently built, state-of-the-art bridges, emblematic of modernity, appear in a number of Sisley’s paintings of the 1870s…
Chagall, Marc (1887-1985) Autoportrait aux sept doigts (Self-Portrait with Seven Fingers) 1912–1913 Oil on canvas, 135.5 x 117 x 6 cm Stedelijk Museum, Amsterdam Marc Chagall‘s Self-Portrait with Seven Fingers is not a naturalistic image, yet it describes a great deal…
Chagall, Marc (1887-1985) Paris par la fenêtre (Paris Through the Window) 1913 Oil on canvas, 136 x 141.9 cm Guggenheim Museum, New York After Marc Chagall moved to Paris from Russia in 1910, his paintings quickly came to reflect the latest…
Degas, Edgar (1834-1917) La classe de danse (The Dance Class) 1873–1876 Oil on canvas, 85.5 x 75 cm Musée d’Orsay, Paris Degas regularly went to the Paris opera house, not only as a member of the audience, but as a visitor…
Raffaello (1483-1520) L’annunciazione (The Annunciation) 1502–1504 Tempera grassa on wood transferred to canvas, 39 x 190 cm Pinacoteca Vaticana, Vaticano This painting is the left part of the predella of the Oddi Altarpiece. The Crowning of the Virgin was painted for the altar…
Raffaello (1483-1520) La dama col liocorno (Lady with a Unicorn) c.1505–1506 Oil on panel transferred to canvas, 67 x 56 cm Galleria Borghese, Roma The young woman depicted is a Florentine girl, as can be seen from the precious fashionable dress of…