Tag: wing

Cristo in pietà sorretto da due angeli (1495-1500)

Mantegna, Andrea (c.1431-1506) Cristo in pietà sorretto da due angeli (Christ as the Suffering Redeemer supported by two angels) 1495–1500 Tempera on panel, 78 x 48 cm Statens Museum for Kunst, Copenhagen The Gospel according to St. Luke begins its account of…

Melancholy (1532)

Cranach, Lucas the Elder (1472-1553) Melancholy 1532 Oil on panel, 61 x 97 cm Statens Museum for Kunst, Copenhagen The sixteenth-century artist Lucas Cranach has become very popular in recent years, prompting a steady succession of exhibitions featuring his mysterious images. SMK…

Studio per la ‘Madonna del Pesce’ (c.1512-1514)

Raffaello (1483-1520) Studio per la ‘Madonna del Pesce’ (Study for the ‘Madonna del Pesce’) c.1512–1514 Brush and brown wash heightened with white over black chalk on paper, 25.80 x 21.30 cm Scottish National Portrait Gallery, Edinburgh This drawing shows a very…

Danae (c.1531)

Correggio (c.1489-1534) Danae c.1531 Oil on canvas, 161 x 193 cm Galleria Borghese, Roma Together with Leda, Ganymede Abducted by the Eagle, and Jupiter and Io, this painting forms part of a well-known series of Jupiter’s loves, painted by Correggio for Federico…

Venere che benda Amore (c.1560-1565)

Tiziano (c.1488-1576) Venere che benda Amore (Venus Blindfolding Cupid) c.1560–1565 Oil on canvas, 118 x 185 cm Galleria Borghese, Roma In all likelihood, this painting entered the Borghese Collection in 1608, when it was given to Scipione Borghese by Cardinal Paolo Emilio…

Le héron aux ailes déployées (1867)

Sisley, Alfred (1839-1899) Le héron aux ailes déployées (The Heron with Outstretched Wings) 1867 Oil on canvas, 80 x 100 cm Musée Fabre, Montpellier Deposit of the Jeu de Paume museum, 1979 (inv. D79.1.5) Compare: Bazille, Frédéric (1841-1870) Nature morte au héron 1867…

Annunciazione (1481)

Botticelli, Sandro (c.1445-1510) Annunciazione (Annunciation from San Martino alla Scala) 1481 Detached fresco, 243 x 555 cm Galleria degli Uffizi, Firenze The usual subject of the announcement to the Virgin Mary by archangel Gabriel is set in a renaissance palace, overlooking…

Pietà (c.1603)

Carracci, Annibale (1560-1609) Pietà c.1603 Oil on copper, 41.3 x 60.7 cm Kunsthistorisches Museum, Vienna Overwhelmed by her helplessness and pain, Mary holds her dead son in her lap. Pale colours and the pathos of marbles by Michelangelo and from antiquity…