Rossetti, Dante Gabriel (1828-1882) Proserpine (Proserpina) 1878 Pencil and watercolor on paper mounted on a wood, 77.5 cm × 37.5 cm Private collection Compare: Rossetti, Dante Gabriel (1828-1882) Proserpine 1874 Tate Britain, London Rossetti, Dante Gabriel (1828-1882) Proserpine 1882…
Rossetti, Dante Gabriel (1828-1882) Proserpine (Proserpina) 1874 Oil on canvas, 125.1 cm × 61 cm Tate Britain, London Compare: Rossetti, Dante Gabriel (1828-1882) Proserpine 1878 Private collection Rossetti, Dante Gabriel (1828-1882) Proserpine 1882 Birmingham Museum and Art Gallery, Birmingham …
Carracci, Annibale (1560-1609) La predicazione di San Diego (Saint Didacus Preaching) 1604–1606 Fresco transferred to canvas Museu Nacional d’Art de Catalunya, Barcelona Mural Paintings from the Herrera Chapel.
Carracci, Annibale (1560-1609) La guarigione del cieco nato (Healing the Man Born Blind) 1604–1606 Fresco transferred to canvas Museu Nacional d’Art de Catalunya, Barcelona Mural Paintings from the Herrera Chapel.
Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo (Christ and the Samaritan Woman) c.1596–1597 Oil on canvas, 76.5 x 63.5 cm Museum of Fine Arts, Budapest Compare: Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo 1594–1595 Pinacoteca di Brera, Milano
Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo (Christ and the Samaritan Woman) 1594–1595 Oil on canvas, 170 × 225 cm Pinacoteca di Brera, Milano Compare: Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo c.1596–1597 Museum of Fine Arts, Budapest
Magritte, René (1898-1967) La folie des grandeurs (Megalomania) 1967 Bronze, 154.9 × 121.9 × 82.2 cm Menil Collection, Houston
Holbein, Hans the Younger (c.1497-1543) Jane Seymour c.1536–1537 Oil on oak, 65.5 × 47 cm Kunsthistorisches Museum, Vienna Holbein became court painter to Henry VIII of England in 1536. Among the first of his paintings in the service of the King was…
Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…
Bellotto, Bernardo (1721-1780) Vista di Vienna dal Belvedere (Vienna Viewed from the Belvedere Palace) 1758–1761 Oil on canvas, 135 × 213 cm Kunsthistorisches Museum, Vienna This view of Vienna from the Upper Belvedere Palace, the summer palace of Prince Eugene of…