Ribera, Jusepe de (1591-1652) San Girolamo penitente (Saint Jerome in penitence) 1634 Oil on canvas, 126 × 78 cm Museo Thyssen-Bornemisza, Madrid Saint Jerome in penitence is one of the episodes from the life of a saint whom Ribera depicted on a…
Ribera, Jusepe de (1591-1652) Martirio di San Bartolomeo (The Martyrdom of Saint Bartholomew) 1634 Oil on canvas, 104 x 113 cm National Gallery of Art, Washington A popular subject in Counter–Reformation Italy and Spain, Ribera‘s profoundly moving work portrays the apostle’s…
Ribera, Jusepe de (1591-1652) Apostolo (An Apostle) c.1615–1619 Oil on canvas, 62 x 49.5 cm National Gallery, London This painting probably belonged to a series of Apostles. Although he was previously identified as Saint Judas Thaddaeus, usually portrayed with a club…
Mantegna, Andrea (c.1431-1506) Autoritratto in aspetto di Medusa (Self-portrait as Medusa) post 1474 Pen, brush, ink on paper, 124 x 99 mm Galleria degli Uffizi, Firenze In the late 18th century, this work was recorded as “Mask in pen” in the…
Verrocchio, Andrea del (1435-1488) San Girolamo (Saint Jerome) c.1460 Mixed media on paper glued on board, 40.5 x 27 cm Galleria Palatina, Palazzo Pitti, Firenze The figure is identified as Saint Jerome by his aged appearance, his face weathered and torso semi-nude…
Ghirlandaio, Domenico (1448-1494) Ritratto di vecchio con nipote (Portrait of an Old Man with his Grandson) 1490 Tempera on poplar wood, 62.7 x 46.3 cm Musée du Louvre, Paris It has sometimes been proposed to identify the old man with a…
Velázquez, Diego (1599-1660) Retrato de un hombre (Portrait of a Man) 1623–1630 Oil on canvas, 51.4 × 40 cm Detroit Institute of Arts, Detroit
Velázquez, Diego (1599-1660) Luis de Góngora y Argote 1622 Oil on canvas, 50.2 x 40.6 cm Museum of Fine Arts, Boston Velázquez‘s abilities as both painter and observer make him one of the great portraitists of Western painting; this early work is…
Van Eyck, Jan (c.1390-1441) Cardinal Niccolò Albergati? c.1438 Oil on oak, 34 × 29.5 cm Kunsthistorisches Museum, Vienna During a peace congress in Arras in 1435, van Eyck made a silverpoint drawing (Dresden), in which he not only recorded the physiognomy…
Guercino (1591-1666) Ritorno del figliol prodigo (Homecoming of the Prodigal Son) 1619 Oil on canvas, 107 × 143.5 cm Kunsthistorisches Museum, Vienna Compare: Guercino (1591-1666) Il ritorno del figliol prodigo 1654–1655 Timken Museum of Art, San Diego