Murillo, Bartolomé Esteban (1617-1682) San Miguel Arcángel arroja al demonio al abismo (Michael the Archangel throws the devil into the abyss) c.1665–1668 Oil on canvas, 169.5 × 110.5 cm Kunsthistorisches Museum, Vienna
Murillo, Bartolomé Esteban (1617-1682) Labán en busca de sus dioses domésticos robados (Laban Searching for his Stolen Household Gods) c.1665–1670 Oil on canvas, 243 x 362 cm Cleveland Museum of Art, Cleveland This story comes from the Old Testament book of…
Murillo, Bartolomé Esteban (1617-1682) Cristo cargando la cruz (Christ Bearing the Cross) c.1665–1675 Oil on canvas, 73.7 × 92.6 cm Philadelphia Museum of Art, Philadelphia
Murillo, Bartolomé Esteban (1617-1682) Estudios de cabeza y oreja (Studies of a Head and Ear) 1665–1670 Red and black chalk, 18.4 x 14.1 cm Princeton University Art Museum, Princeton The descriptive use of red and black chalk to depict color is…
Murillo, Bartolomé Esteban (1617-1682) Ecce Homo 1660–1670 Oil on canvas, 56 x 44 cm Bristol Museum & Art Gallery, Bristol
(c.1582–1666) Frans Hals the Elder The artist’s works: Merrymakers at Shrovetide c.1616–1617 Metropolitan Museum of Art, New York Portrait of a Couple c.1622 Rijksmuseum, Amsterdam Jester with a Lute c.1623–1624 Musée du Louvre, Paris Young Man and Woman in an Inn 1623 Metropolitan…
Van der Heyden, Jan (1637-1712) The Stone Bridge c.1660–1672 Oil on panel, 37 x 44.5 cm Rijksmuseum, Amsterdam This work depicts an imaginary canal. While it is clearly inspired by Amsterdam models, Jan van der Heyden gave it his own twist.…
Murillo, Bartolomé Esteban (1617-1682) Cristo en la cruz (Christ on the Cross) 1660–1670 Oil on canvas, 208.9 x 113 cm Timken Museum of Art, San Diego In this late painting by Bartolomé Estebán Murillo, the luminous figure of Christ appears against…
Rembrandt (1606-1669) Lucretia 1666 Oil on canvas, 110.17 x 92.28 cm Minneapolis Institute of Art, Minneapolis Rembrandt tells the story of Lucretia through her solemn and saddened gaze, in the traces of blood on her gown, and the dagger in…
Rembrandt (1606-1669) Isaac and Rebecca, known as ‘The Jewish Bride’ c.1665–1669 Oil on canvas, 121.5 x 166.5 cm Rijksmuseum, Amsterdam To prevent being killed and having his wife captured by King Abimelech, Isaac concealed his love for Rebecca by pretending…