Murillo, Bartolomé Esteban (1617-1682) San Miguel Arcángel arroja al demonio al abismo (Michael the Archangel throws the devil into the abyss) c.1665–1668 Oil on canvas, 169.5 × 110.5 cm Kunsthistorisches Museum, Vienna
Murillo, Bartolomé Esteban (1617-1682) Labán en busca de sus dioses domésticos robados (Laban Searching for his Stolen Household Gods) c.1665–1670 Oil on canvas, 243 x 362 cm Cleveland Museum of Art, Cleveland This story comes from the Old Testament book of…
Murillo, Bartolomé Esteban (1617-1682) Cristo cargando la cruz (Christ Bearing the Cross) c.1665–1675 Oil on canvas, 73.7 × 92.6 cm Philadelphia Museum of Art, Philadelphia
Murillo, Bartolomé Esteban (1617-1682) Estudios de cabeza y oreja (Studies of a Head and Ear) 1665–1670 Red and black chalk, 18.4 x 14.1 cm Princeton University Art Museum, Princeton The descriptive use of red and black chalk to depict color is…
Murillo, Bartolomé Esteban (1617-1682) Ecce Homo 1660–1670 Oil on canvas, 56 x 44 cm Bristol Museum & Art Gallery, Bristol
Van der Heyden, Jan (1637-1712) The Stone Bridge c.1660–1672 Oil on panel, 37 x 44.5 cm Rijksmuseum, Amsterdam This work depicts an imaginary canal. While it is clearly inspired by Amsterdam models, Jan van der Heyden gave it his own twist.…
Murillo, Bartolomé Esteban (1617-1682) El regreso del hijo pródigo (The Return of the Prodigal Son) 1667–1670 Oil on canvas, 236.3 x 261 cm National Gallery of Art, Washington
Murillo, Bartolomé Esteban (1617-1682) Cristo en la cruz (Christ on the Cross) 1660–1670 Oil on canvas, 208.9 x 113 cm Timken Museum of Art, San Diego
Rembrandt (1606-1669) Isaac and Rebecca, known as ‘The Jewish Bride’ c.1665–1669 Oil on canvas, 121.5 x 166.5 cm Rijksmuseum, Amsterdam To prevent being killed and having his wife captured by King Abimelech, Isaac concealed his love for Rebecca by pretending…
Bernini, Gian Lorenzo (1598-1680) Angel with the Superscription (Standing Angel with Scroll) c.1667–1668 Terracotta, 28.9 x 17.1 x 13.8 cm Fogg Art Museum, Cambridge, MA