Ingres, Jean Auguste Dominique (1780-1867) Études (Studies of a Head of a Man, Hands of Saint John for Christ Offering Saint Peter the Keys to Paradise, and Hooded Capuchin monk) c.1817–1820 Oil on canvas, 45.1 x 32.4 cm Rhode Island…
Goya, Francisco de (1746-1828) Disparate de bestia (Animal Folly) 1816–1824 (published 1877) Etching and aquatint on paper, 24.6 x 35.6 cm Rhode Island School of Design, Providence
Delacroix, Eugène (1798-1863) La Mise au tombeau d’après Titien (The Entombment of Christ after Titian) 1820 Oil on canvas, 40 x 55.5 cm Musée des Beaux-Arts, Lyon Compare: Tiziano (c.1488-1576) Deposizione di Cristo c.1520 Musée du Louvre, Paris Cézanne, Paul (1839-1906) Copie…
Goya, Francisco de (1746-1828) Disparate de tontos (Fool’s Folly) c.1815–1823, printed posthumously before 1877 Etching and aquatint, 24.1 x 35.2 cm Philadelphia Museum of Art, Philadelphia
(c.1820-c.1862) Jeanne Duval, Jeanne Prosper or Jeanne Lemer Jeanne Duval by Nadar (c.1860). Jeanne Duval in a portrait by Baudelaire (1869). Jeanne Duval by Baudelaire. Jeanne Duval in Art: Manet, Édouard (1832-1883) La Femme à l’éventail 1862 Museum of Fine…
Delacroix, Eugène (1798-1863) Un cheval attelé à un poteau (A Horse Hitched to a Post) c.1820 Oil on canvas, 19.4 x 21.3 cm National Gallery of Art, Washington
Goya, Francisco de (1746-1828) El tío Paquete c.1819–1820 Oil on canvas, 39 x 31 cm Museo Thyssen-Bornemisza, Madrid
Canova, Antonio (1757-1822) Naiade (Naiad) 1820–1822 Marble, 80 x 190 cm National Gallery of Art, Washington
Canova, Antonio & Studio (1757-1822) Naiade (Reclining Naiad) 1819–1824 White marble on grey marble 88.9 x 82.6 cm Metropolitan Museum of Art, New York
Canova, Antonio (1757-1822) Venere e Marte (Venus and Mars) 1817–1822 Marble, 208 x 137 x 65.5 cm Royal Collection, Buckingham Palace, London