Corot, Jean-Baptiste-Camille (1796-1875) Jeune femme pensive (Pensive Young Woman) 1855–1860 Oil on panel mounted to plywood, 31.8 × 23.7 cm Barnes Foundation, Philadelphia
Whistler, James Abbott McNeill (1834-1903) Fantin-Latour drawing 1859 Black chalk and graphite on paper, 24.5 x 15.5 cm Musée d’Orsay, Paris Inscription, in pencil, top right: ‘Fantin au lit/ la poursuite/ de ses études dans les difficultés, 14° froid, le 20…
Siddal, Elizabeth (1829-1862) King Arthur’s Death c.1859–1862 Graphite, 17.5 x 27.3 cm Princeton University Art Museum, Princeton Siddall was an artist, poet, model, and wife of the Pre-Raphaelite painter Dante Gabriel Rossetti. Although this drawing only outlines the event of King…
Delacroix, Eugène (1798-1863) Ovide chez les Scythes (Ovid among the Scythians) 1859 Oil on canvas, 87.6 × 130.2 cm National Gallery, London Compare: Delacroix, Eugène (1798-1863) Ovide chez les Scythes 1862 Metropolitan Museum of Art, New York See also: • Ovid (43 BC-17/18 AD)
Ingres, Jean Auguste Dominique (1780-1867) Madame Charles Gounod 1859 Graphite on ivory wove paper, 25.6 x 20.2 cm Art Institute of Chicago, Chicago See also: • Gounod, Charles (1818-1893) | Zimmerman, Anna (1829-1907)
Daumier, Honoré (1808-1879) Le collectionneur d’estampes (The Print Collector) c.1857–1863 Oil on cradled panel, 42.3 × 33 cm Art Institute of Chicago, Chicago
Whistler, James Abbott McNeill (1834-1903) Portrait of the Artist 1859 Etching and drypoint on paper, 22.5 × 15.1 cm Victoria and Albert Museum, London
Corot, Jean-Baptiste-Camille (1796-1875) Le Matin, Paysage avec deux vaches et un personnage (Morning: Landscape with Two Cows and a Figure) 1855–1860 Oil on canvas, 23.2 × 18 cm Victoria and Albert Museum, London
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