Hassam, Childe (1859-1935) The Garden in Its Glory 1892 Watercolor on paper, 50.6 x 35.2 cm Smithsonian American Art Museum, Washington See also: • Appledore Island, ME (USA) | Thaxter, Celia (1835-1894)
The Garden in Its Glory (1892)
Tag: Art
Celia Thaxter in Her Garden (1892)
Hassam, Childe (1859-1935) Celia Thaxter in Her Garden (In the Garden) 1892 Oil on canvas, 56.5 x 45.7 cm Smithsonian American Art Museum, Washington Celia Thaxter in 1899. See also: • Appledore Island, ME (USA) | Thaxter, Celia (1835-1894)
Thaxter’s Garden (1892)
Hassam, Childe (1859-1935) Thaxter’s Garden 1892 Watercolor on paper, 50.2 x 35.8 cm Smithsonian American Art Museum, Washington See also: • Appledore Island, ME (USA) | Thaxter, Celia (1835-1894)
Fifth Avenue Nocturne (c.1895)
Hassam, Childe (1859-1935) Fifth Avenue Nocturne c.1895 Oil on canvas, 61.2 x 51 cm Cleveland Museum of Art, Cleveland Boston native Childe Hassam began painting in an Impressionist style during a three-year stay in Paris, from 1886 to 1889. On settling…
Fifth Avenue (1919)
Hassam, Childe (1859-1935) Fifth Avenue 1919 Oil on canvas, 61.3 x 51.5 cm Cleveland Museum of Art, Cleveland During World War I, the fiercely nationalistic Hassam was mistakenly arrested for being a German spy. Childe Hassam was fascinated by bustling Fifth…
California (1919)
Hassam, Childe (1859-1935) California 1919 Oil on canvas, 109.9 x 61 cm Private Collection See also: • California (USA)
Bricklayers (c.1900)
Hassam, Childe (1859-1935) Bricklayers c.1900 Oil on canvas, 26 x 21 cm Private Collection
Boy with Flower Pots (1888)
Hassam, Childe (1859-1935) Boy with Flower Pots 1888 Oil on board, 45.7 x 37.5 cm Private Collection
Self-portrait (1916)
Hassam, Childe (1859-1935) Self-portrait 1916 Etching, 27.6 x 17.7 cm Museum of Fine Arts, Boston
Charles River and Beacon Hill (c.1892)
Hassam, Childe (1859-1935) Charles River and Beacon Hill c.1892 Oil on canvas, 40.96 x 45.72 cm Museum of Fine Arts, Boston In Charles River and Beacon Hill Hassam employed the radical compositional effects that he had seen in French painting to…