Tag: beard

San Francesco sorretto dall’angelo (c.1607)

Gentileschi, Orazio (1563-1639) San Francesco sorretto dall’angelo (Saint Francis supported by an Angel) c.1607 Oil on canvas, 126 x 98 cm Museo del Prado, Madrid The subject of the angelic consolation of Saint Francis became popular in the second half of…

Deux prophètes (Daniel et Habacuc)

Fragonard, Jean-Honoré (1732-1806) Deux prophètes: Daniel et Habacuc (Two prophets: Daniel and Habakkuk) 2nd half of the 18th century Black pencil on paper, 155 x 188 cm Museo del Prado, Madrid During his stay in Naples in 1761, Fragonard copied a…

Noli me tangere (c.1525)

Correggio (c.1489-1534) Noli me tangere c.1525 Oil on panel transferred to canvas, 130 x 103 cm Museo del Prado, Madrid Antonio Correggio’s stay in Rome between 1518 and 1519 powerfully affected his late work, which reflects that of late Raphael and…

L’Annunciazione (c.1426)

Angelico, Fra (c.1395-1455) L’Annunciazione (The Annunciation) c.1426 Tempera on panel, 162.3 x 191.5 cm Museo del Prado, Madrid This altarpiece was painted for the monastery of Santo Domenico in Fiesole, near Florence. The central panel shows the Archangel Gabriel’s Annunciation to…

The Siesta, or Pompeian Scene (1868)

Alma-Tadema, Lawrence (1836-1912) The Siesta, or Pompeian Scene 1868 Oil on canvas, 130 x 369 cm Museo del Prado, Madrid A domestic scene set in classical antiquity. An old man and a youth recline on divans while an attractive young woman…

Adorazione dei Magi (1500s)

Tiziano (c.1488-1576) & Workshop Adorazione dei Magi (Adoration of the Magi) 1500s Oil on canvas, 134.5 x 217 cm Cleveland Museum of Art, Cleveland Titian, the celebrated and prolific 16th-century Venetian artist, and his large workshop painted several versions of this…

San Girolamo (c.1638-1640)

Ribera, Jusepe de (1591-1652) San Girolamo (Saint Jerome) c.1638–1640 Oil on canvas, 129 x 100.3 cm Cleveland Museum of Art, Cleveland Saint Jerome (about ad 347–420) translated biblical texts into Latin. Although he sometimes appears as a scholar in his study,…

La sepoltura (1529-1530)

Parmigianino (1503-1540) La sepoltura (The Entombment) 1529–1530 Etching, 27.1 x 20.4 cm Cleveland Museum of Art, Cleveland One of the most important Mannerist painters, Parmigianino was the first artist to exploit the fluid, expressive potential of etching. The graphic vocabulary of…